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Raminta Šerkšnytė (b.1975)

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Beethoven: The Symphonies

Beethoven: The Symphonies

and reflections


Symphonies Nos. 1-9 (complete)






Beethovens Heiligenstädter Testament



Widmann, J:

Con brio

“This is an exceptional realisation of Beethoven's nine symphonies, one of those rare occasions when one is left with a feeling of having been in the presence of the thing itself. The key to the cycle's success is the quality of the musicianship...the dramatic and expressive elements are derived from within” Gramophone Magazine, December 2013

“Jansons approach which takes into consideration the historically informed approach of the last 30 years, but is still aware of what performances were like in the great German tradition...If you want vigorous conducting, immaculate but lean playing, and unfailingly sprightly tempos in the Beethoven, this set is for you.” BBC Music Magazine, February 2014 ***

“This set would be eminently recommendable if only for the nine Beethoven symphonies, performed with muscularity and flair.” New York Times, December 2013

GGramophone Awards 2014

Shortlisted - Orchestral

GGramophone Magazine

Disc of the Month - December 2013

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BR Klassik - 900119

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Mariss Jansons conducts Beethoven: Symphonies Nos. 4 & 5

Mariss Jansons conducts Beethoven: Symphonies Nos. 4 & 5

Live-Recording, Tokyo, Suntory Hall, 26./27.11.2012


Symphony No. 4 in B flat major, Op. 60

Symphony No. 5 in C minor, Op. 67



The Symphonieorchester des Bayerischen Rundfunks has already performed Beethoven symphony cycles on several occasions. Its chief conductor Mariss Jansons has now extended the cycle concept in many respects, with concerts from the Tokyo Suntory Hall with its excellent acoustics, specially assigned commissions from contemporary composers providing their own musical reflections on Beethoven symphonies, and also presentation of the outstanding concert events in live recordings for the music market. The live recordings of Symphonies Nos. 4 and 5 by Ludwig van Beethoven were made in 2012 in the Suntory Hall in Tokyo. The orchestral work Fires by the Lithuanian composer Raminta Šerkšnytės (born 1975) refers to the "con brio" tempo marking of the first movement of Beethoven's Fifth, which can also mean "with fire." It was also recorded in 2012, but in Munich's Herkulessaal.

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BR Klassik - 900135


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