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“I feel each of my symphonies is a whole continentin itself,” the Danish composer PerNørgård(b. 1932) has said. His music stems from an insatiable urge to explore thepheno menaof the world and the possibilities of music, and his eight symphonies stand as milestones along the course of six decades. This recording with the Oslo Philharmonicconducted by JohnStorgårdspresents Per Nørgård’sSecondSymphony, in which the composer unfolds his famous ‘infinity principle’ euphorically and almost psychedelically, and his Sixth Symphony, in which the mature composer proves more exploratory andplayfulthan ever.
Per Nørgård: Symphony No. 6 "At the End of the Day"
III. Allegro energico
Per Nørgård: Symphony No. 2
Symphony No. 2
15th June 2016
“exemplary performances from the Oslo Philharmonic in crystalline recordings that fasten on every sonic detail in the scores...what all these symphonies offer is unlike anything any other composer is writing today.”
“Cumulatively beautiful, structurally tangible and deliciously pure. The Oslo Philharmonic’s ability to collectively recede as if into a minimalist canvas, parts emerging thereafter with brightness and intent without distorting the contours, makes this performance. In music that’s deceptively tricky to pace, Storgårds delivers – again.”
“There’s something almost miraculous about the way Finnish conductor John Storgards has brought this music so finely and compellingly into focus…[in the Second] all is ghostly detached sounds, but then a melodically tight little figure in running notes starts to unfold, somehow transforming yet remaining essentially the same…yet the effect isn’t coldly cerebral: it feels natural, instinctual – as do the exultant brass and bells climaxes that grow out of it”