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Bach, J S: Partitas Nos. 1-6, BWV825-830

Bach, J S: Partitas Nos. 1-6, BWV825-830


Trevor Pinnock (harpsichord)

“The six Partitas are virtually a compendium of Bach's keyboard styles, with toccatas and French overtures, fugues and fantasies and all manner of dances. Trevor Pinnock rises to a new level of mastery in his new recording of them. We all know about the brilliance of his fingerwork and his beautifully sprung, ebullient rhythms; but here he goes further, showing a true grandeur of manner that embraces Bach at his most serious and pensive, his most learned, and – above all – his most vividly rhetorical.
Pinnock takes his time over the music: these are measured readings of the partitas, thought through, viewed whole. The natural and spontaneous musicianship of old is still there, but now it's given extra depth and meaning through the carefully judged articulation, JS Bach Instrumental the tiny moments of hesitation, all within a fluent larger rhythm, that lend extra point and shape to a phrase, a group of phrases, an entire musical paragraph.
The warm, rather resonant recording beautifully captures the rich sound of his instrument – a David Way copy from 1983 of a Hemsch original – as well as the detail of his playing. There could hardly have been a happier return to the recording studio for Pinnock than this fine set.”
Gramophone Classical Music Guide, 2010

GGramophone Awards 2001

Winner - Baroque Instrumental

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Hänssler - Edition Bachakademie - HAEN92115

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Bach: Sacred Vocal Works

Bach: Sacred Vocal Works


Bach, J S:

Magnificat in E flat major, BWV243a

Mass in B minor, BWV232 (excerpts)

Cantata BWV34 'O ewiges Feuer, O Ursprung der Liebe'

Cantata BWV69 'Lobe den Herrn, meine Seele'

Cantata BWV120a 'Herr Gott, Beherrscher aller Dinge'

Cantata BWV197 'Gott ist unsre Zuversicht'


Ingeborg Danz (Contralto), Klaus Häger (Bass), Marcus Ullmann (Tenor), Ruth Sandhoff (Soprano), Sibylla Rubens (Soprano)

Gächinger Kantorei, Stuttgart Choir; Stuttgart Bach Collegium Orchestra, Helmuth Rilling

Each of Bach´s cantatas is distinguished by an unmistakable individuality. They are still fascinating audiences today in many ways - as immediate help with life´s problems, as the object of sentiment´s wonder or as the product of an absolute will to creat

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Hänssler - Edition Bachakademie - HAEN92140

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Bach: Congratulatory and Hommage Cantatas

Bach: Congratulatory and Hommage Cantatas


Bach, J S:

Angenehmes Wiederau BWV 30a

Cantata BWV36 'Schwingt freudig euch empor'

Cantata BWV38 'Aus tiefer Not schrei ich zu dir'

Cantata BWV134a 'Die Zeit, die Tag und Jahre macht'

Cantata BWV173a 'Durchlauchtster Leopold'


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Hänssler - Edition Bachakademie - HAEN92139

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Bach: Clavier-Büchlein Für Anna Magdalena Bach 1722

Bach: Clavier-Büchlein Für Anna Magdalena Bach 1722


Bach, J S:

French Suite No. 1 in D Minor, BWV812

French Suite No. 2 in C minor, BWV813

French Suite No. 3 in B Minor, BWV814

French Suite No. 4 in E flat major, BWV815

French Suite No. 5 in G major, BWV816

Minuet in G major, BWV841

Air & Variations in C minor, BWV991

Chorale Prelude BWV728 'Jesu, meine Zuversicht'


Mario Videla

Among the autograph manuscripts of Johann Sebastian Bach´s music we find three so-called Clavier-Büchlein. The first was started in 1720; Bach wrote it for his eldest son, Wilhelm Friedemann, born at Weimar in 1710. This collection was mainly intended for

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Hänssler - Edition Bachakademie - HAEN92135

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Bach: Clavier-Büchlein Für Anna Magdalena Bach 1725

Bach: Clavier-Büchlein Für Anna Magdalena Bach 1725


Bach, J S:

Ich freue mich auf meinen Tod (from BWV82)

Dir, dir, Jehova, will ich singen, BWV299

Bist du bei mir, BWV508

Gedenke doch, mein Geist, BWV509

Gib dich zufrieden, BWV510

Gib dich zufrieden, BWV511

Gib dich zufrieden, BWV512

O Ewigkeit, du Donnerwort, BWV513

Schaffs mit mir, Gott, BWV514

So oft ich meine Tobackspfeife, BWV515a

Warum betrübst du dich, BWV516

Wie wohl ist mir, o Freund der Seelen, BWV517

Willst du mein Herz mir schenken, BWV518

Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten'

French Suite No. 1 in D Minor, BWV812

Partita No. 3 in A minor, BWV827

Prelude & Fugue Book 1 No. 1 in C major, BWV846

Goldberg Variations, BWV988: Aria

Minuet in G minor, BWV Anh. 115

Minuet in G major, BWV Anh. 116

Minuet in G major, BWV Anh. 114

Minuet in F major, BWV Anh. 113

Polonaise in F major, BWV Anh. 117a

Polonaise in G minor, BWV Anh. 119

Polonaise in G minor, BWV Anh. 123

Musette in D major, BWV Anh. 126


Johannes-Christoph Happel (Baritone), Michael Behringer (Harpsichord), Michael Behringer (Organ), Sibylla Rubens (Soprano)

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Hänssler - Edition Bachakademie - HAEN92136

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Bach: Reconstructed Violin Concertos

Bach: Reconstructed Violin Concertos


Bach, J S:

Concerto in D major, BWV1045

Violin Concerto in D minor, BWV1052

Keyboard Concerto No. 7 in G minor, BWV1058

Concerto for 3 violins, strings & continuo in D major (reconstruction), BWV 1064R


Isabelle Faust (Violin); Christoph Poppen (Violin); Muriel Cantoreggi (Violin)

Stuttgart Bach Collegium Orchestra, Helmuth Rilling

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Hänssler - Edition Bachakademie - HAEN92138

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Bach, J S: Klavierbüchlein für W F Bach

Bach, J S: Klavierbüchlein für W F Bach


Joseph Payne (clavichord, harpsichord, organ)

Among the autograph manuscripts of Johann Sebastian Bach´s music we find three so-called Clavier-Büchlein. The first was started in 1720; Bach wrote it for his eldest son, Wilhelm Friedemann, born at Weimar in 1710. This collection was mainly intended for

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Hänssler - Edition Bachakademie - HAEN92137

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Bach, J S: Orchestral Suites Nos. 1-4, BWV1066-1069

Bach, J S: Orchestral Suites Nos. 1-4, BWV1066-1069


Oregon Bach Festival Chamber Orchestra, Helmuth Rilling

Bach has here combined - with fascinating results - the mutually exclusive compositional principles governing the suite and the concerto. This is one of the most magnificent of all Bach´s instrumental works, replete with elegance and modernity.

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Hänssler - Edition Bachakademie - HAEN92132

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Bach, J S: Concerto for Two Keyboards in C minor, BWV1060, etc.

Bach, J S:

Concerto for Two Keyboards in C minor, BWV1060

Concerto for Two Keyboards in C major, BWV1061

Concerto for Two Keyboards in C minor, BWV1062


Jeffrey Kahane, Robert Levin (harpsichords)

Oregon Bach Festival Chamber Orchestra, Helmuth Rilling

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Hänssler - Edition Bachakademie - HAEN92129

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Bach: Restored Oboe Concerti

Bach: Restored Oboe Concerti


Bach, J S:

Organ Concerto in D major BWV1053a

Oboe d'amore Concerto in A major, BWV1055

Oboe Concerto in G minor, BWV1056

Oboe Concerto in D minor, BWV1059

Concerto for Oboe & Violin in D minor, BWV1060


Ingo Goritzki (oboe), Christoph Poppen (violin)

Stuttgart Bach Collegium Orchestra, Helmuth Rilling

As far as the oboe is concerned, it is the wind instrument most often employed by Bach. The five concertos for oboe or odoe d´amore recorded here are thus the result of attempts at reconstruction.

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Hänssler - Edition Bachakademie - HAEN92131

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