Sviatoslav Richter plays Schubert - The Neuhaus School

APR: APR5669

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Sviatoslav Richter plays Schubert - The Neuhaus School

Label:

APR

Catalogue No:

APR5669

Discs:

1

Release date:

30th March 2009

Barcode:

5024709156696

Medium:

CD
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Sviatoslav Richter plays Schubert - The Neuhaus School

Early Schubert recordings


Schubert:

Piano Sonata No. 16 in A minor, D845

recorded in Moscow in March 1957

Piano Sonata No. 17 in D major, D850

recorded in Moscow in August 1956

Impromptu in E flat major, D899 No. 2

recorded in Moscow in 1950


CD

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Usually despatched in 2 - 3 working days.

Sviatoslav Richter needs no introduction - he is universally regarded as one of the very greatest pianists of the 20th century. The Soviet recordings he made in the 1950s, before he started performing in the west, are generally less well known though, and here we have two major works, from a composer who was particularly close to Richter's heart, which he did not revisit in the recording studio in later years.

Schubert's Sonatas D845 and D850 are certainly amongst his greatest, they immediately predate the magnificent final three (D958-960) and are written on the same vast scale. The composer's piano sonatas were little known in the 1950s, particularly in the USSR, and Richter was very much a torchbearer for this music. These are sublime performances, particularly in the timeless slow movements, and it is surprising how rarely these particular recordings have been reissued in the CD era. Thankfully by the later 1950's the Melodiya recorded sound was much improved and not many apologies need be made on this account.

BBC Music Magazine

June 2010

*****

“[D850 is] a miraculous synthesis of vitality and introspection...D845 emerges with volcanic, almost desperate urgency.”

Gramophone Magazine

Awards Issue 2009

“…the Trio of the A minor Sonata's Scherzo… is played with such poise and lucidity that it soars to ultimate heights of poetry. …even in the exultant, less despairing pages of the D major Sonata Richter's adamantine strength and rhythm are paramount. ...you can never be less than awed by such consummate if chilling mastery.”

Click on any of the works listed above for alternative recordings.

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