Beethoven: String Quartets Vol. 6: The Lindsays 'New Beethoven Cycle'

The prospect of actually listening to Beethoven never loses its appeal. It's also clear that The Lindsays approach Beethoven's quartets with undiminished enthusiasm. This is immediately apparent... — Gramophone Classical Music Guide, 2010 More…

Release Date: 12th Jan 2003
Catalogue No: CDDCA1116
Label: ASV
Series: The Lindsays' New Beethoven Cycle
Length: 58 minutes

Gramophone Magazine

April 2003

Editor's Choice

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Beethoven: String Quartet No. 11 in F minor Op. 95 'Serioso'

Work length20:07

Lindsay String Quartet (string quartet), Peter Cropper (violin), Ronald Birks (violin), Robin Ireland (viola), Bernard Gregor-Smith (cello)
Recorded: 2001-06-27
Recording Venue: Holy Trinity Church, Wentworth, Yorkshire

1. Allegro con brio

Track length4:06

2. Allegretto ma non troppo -

Track length7:08

3. Allegro assai vivace ma serioso

Track length4:14

4. Larghetto espressivo - Allegretto agitato - Allegro

Track length4:39

Beethoven: String Quartet No. 12 in E flat major, Op. 127

Work length38:08

Lindsay String Quartet (string quartet), Peter Cropper (violin), Ronald Birks (violin), Robin Ireland (viola), Bernard Gregor-Smith (cello)
Recorded: 2001-06-27
Recording Venue: Holy Trinity Church, Wentworth, Yorkshire

1. Maestoso - Allegro

Track length7:27

2. Adagio ma non troppo e molto cantabile

Track length15:45

3. Scherzando vivace

Track length8:17

4. Finale (Allegro commodo)

Track length6:39

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Reviews

2010

The prospect of actually listening to Beethoven never loses its appeal. It's also clear that The Lindsays approach Beethoven's quartets with undiminished enthusiasm. This is immediately apparent in the physical energy with which they attack the opening of Op 95. Along with enthusiasm comes a deep understanding, expressed most strikingly in the way their fine internal balance is adapted to allow important subsidiary lines to make their effect. Nothing as crude as making a decision to 'bring out' an inner part; just the feeling that each player knows how much pressure is needed to fulfil a line's potential.
Such expressive detail allied to a lovely dolce sound makes a contrapuntal movement like Op 95's Allegretto especially memorable.
The Lindsays aren't the smoothest, slickest ensemble to have recorded this music. In the Scherzo of Op 95 the Quartetto Italiano's tone is more blemish-free, and the fast coda to this quartet's finale sees the Emerson Quartet create a more brilliant, sparkling impression. But such things only become noticeable with comparative listening; if you stick with The Lindsays what will impress you is the splendid rhythm and drive of the Op 95 Scherzo, the magnificent, rich sound, without any sense of aggressiveness or strain, at the start of Op 127, the way the expression is sustained throughout the great adagio variations of Op 127, and the delicate, magical atmosphere established at the beginning of this quartet's final section. A hugely compelling set.

Distinctive and deeply satisfying...

Beethoven: String Quartets Vol. 6

Presto CD

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