Mahler’s Eighth Symphony is arguably the grandest and most ambitious piece of symphonic music ever written. The composer himself regarded it as his opus summum, and an incredible number of participants at the hugely successful Munich première in 1910 earned it the nickname “Symphony of a Thousand”. At Leipzig’s International Mahler Festival 2011, Riccardo Chailly commanded almost 500 musicians, and the overwhelming result of their joint effort inspired the Leipzig-based and internationally renowned artist Neo Rauch to the painting for the cover of this DVD.
Picture Format DVD: NTSC 16:9
Sound Formats DVD: Dolby Digital 5.1, DTS 5.1, PCM Stereo
Region Code: 0 (worldwide)
Running Time: 92:19 min
Disc Format: DVD 9
15th October 2011
“these are red-blooded performances. The Italian conductor has long been a respected Mahlerian, capable of welding the symphonies’ huge structures and quixotic moods into a coherent musical statement...They also convey the physical thrill of the “live” experience, with Erika Sunnegardh risking all in the high soprano lines”
“How good to see Riccardo Chailly so radiant at the end of this great event. It's an exhilaration he earns through sheer work as well as injecting the adrenalin at most of the right moments...Chailly holds the attention between movements and makes you realise how many soloists within the orchestra have to sing, too. His leader, the superb Sebastian Breuninger, assists him between blazes...Chailly's rendering leads the field on DVD.”
The Arts Desk
5th November 2011
“Michael Beyer’s direction on this Accentus DVD is unobtrusive in the best possible way...The clarity and force of the choral sound is remarkable, especially that of the cheerful-looking GewandhausKinderchoir. You’ll reach the end of Part One spiritually transfigured...It’s an overwhelmingly affirmative experience, and Chailly brings out the joy as well as the solemnity.”
“In exchanging ceremonial pomp and adrenaline-rush for an unforced, unmannered, surprisingly lyrical approach, Chailly unearths a wealth of rarely heard contrapuntal detail and secures a rare unanimity of response. The solo singers and here purely local choral forces are on the same exalted level as his venerable band whose dark transparency and unique, late-Romantic sound are, he believes, perfect for these scores.”
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