Royer, P: Premier Livre de pièces pour clavecin 1746

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This is Christophe Rousset's second recording of Pancrace Royer's 1746 harpsichord pieces. On balance, I incline towards Rousset's new recital. He seems more relaxed and so better able to communicate... — BBC Music Magazine, February 2009, 4 out of 5 stars More…

Release Date: 28th Jul 2008
Catalogue No: AM151
Label: Ambroisie
Length: 58 minutes

Royer, P: Pieces de clavecin, Book 1

Work length58:46

$15.00

$19.50

Christophe Rousset (harpsichord)

I. La majestueuse

Track length3:48

$1.00

$1.30

II. La Zaide

Track length5:38

$1.00

$1.30

III. Les matelots

Track length2:27

$1.00

$1.30

IV. Tambourins

Track length1:36

$1.00

$1.30

V. L'incertaine

Track length3:39

$1.00

$1.30

VI. L'aimable

Track length6:58

$1.00

$1.30

VII. La bagatelle

Track length1:30

$1.00

$1.30

VIII. Suitte de la bagatelle

Track length1:58

$1.00

$1.30

IX. La remouleuse

Track length3:06

$1.00

$1.30

X. Les tendres Sentiments

Track length7:02

$2.00

$2.60

XI. Le vertigo

Track length5:03

$1.00

$1.30

XII. Allemande

Track length5:03

$1.00

$1.30

XIII. La sensible

Track length4:46

$1.00

$1.30

XIV. La marche des Scythes

Track length6:12

$1.00

$1.30

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A renowned harpsichordist and composer of opera, Pancrace Royer’s only book of keyboard pieces was published in 1746. The music is here performed by the internationally acclaimed soloist Christophe Rousset, an artist who is also known for being the director of the award-winning ensemble Les Talens Lyriques.

Reviews

February 2009

This is Christophe Rousset's second recording of Pancrace Royer's 1746 harpsichord pieces. On balance, I incline towards Rousset's new recital. He seems more relaxed and so better able to communicate the music's poetry.

2010

Pancrace Royer's one book of Pièces de clavecin, published in 1746, is full of spark and variety, ranging from the dulcet 'La Zaïde' to the robust jollity of 'Les matelots', and from the eloquence of 'La Sensible' to the dizzyingly quirky virtuosity of 'Le vertigo'. And while it is Rameau who rightly dominates our knowledge of the musical times in which Royer lived as harpsichord teacher to Louis XV's daughters, composer of operas and director of Paris's prestigious Concert Spirituel, as a keyboard composer in the imaginative, full-bodied mould of someone like Forqueray, Royer need not be considered as totally blotted out by the more famous composer's shadow.
Yet this disc is one of only a handful devoted to Royer's harpsichord music. Remarkably, it is also the second by Christophe Rousset, his first having been 15 years ago for L'Oiseau-Lyre.
The first noticeable difference is in the harpsichords themselves; first time around Rousset had an easy-toned 1751 Hemsch, but this time he uses a composite 18th-century instrument, more aggressive in sound, more 'zingy' at the top end and with less of the Hemsch's mellow resonance. This is not without knock-on effect; whereas before there was a stylish elegance and easy grace of line in the way Rousset dispatched these demanding pieces, now there is a sense that, while his technique remains as enviable as ever, he has to work harder at the music, draw things out more, become more mannered.
Harpsichord enthusiasts unfamiliar with Royer's generous musical personality should take this opportunity to make his acquaintance now.

Awards Issue 2008

…harpsichord enthusiasts unfamiliar with Royer's generous musical personality should take this opportunity to make his acquaintance now.

Royer, P: Premier Livre de pièces pour clavecin 1746

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