Venezia 1700

Aparté: AP128

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Venezia 1700

Label:

Aparté

Catalogue No:

AP128

Discs:

1

Release date:

18th Nov 2016

Barcode:

3149028078121

Length:

68 minutes

Medium:

CD (download also available)

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Venezia 1700


Abaco, E:

Sonata in G minor for violin and continuo, Op. 4 No. 12

Albinoni:

Violin Sonata in G minor, Op. 4 No. 5

Bonporti:

Invenzione Op. 10, No. 6

Caldara:

Chiaccona in B flat major, Op. 2, No. 12

Sonata in C minor, Op. 2 No. 7

Torelli:

Sonata in E minor for violin and continuo

Vivaldi:

Violin Sonata in B flat, RV759

Sontata da camera No. 12 for two violins


Thibault Noally (violon)

Les Accents

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Thibault Noally and Les Accents present a celebration of the Venetian Sonata. The term sonata was first coined at the end of the 16th century by Giovanni Croce and Andrea Gabrieli but it was Tartini, born and active in the Venetian Republic, who created some 200 sonatas for violin, the largest body of work in the form, followed by Vivaldi with 80. If Vivaldi borrowed from all an sundry [Caldara, Corelli, Matteis, Bonporti, Albinoni] then others were quick to borrow from him too and the Venetian sonata spread through competing musicians to Germany, via Pisendel and the Dresden court; France with Leclair and Guignone; and Russia with the Venetians Madonis and Dall'Oglio. Thibault Noally is a recognised name on the international baroque stage. He best-known as the solo violin of Les Musiciens du Louvre-Grenoble with Marc Minkowski, with the Concerto Köln, Pulcinella or the Ensemble Matheus.

Antonio Vivaldi: Sonate en Mi Mineur pour violon et basse, RV 40

Adagio-Largo-Adagio-Allegro-Allegro

Largo-Allegro

Francesco Antonio Bonporti: Invenzione No. 6 en Do Mineur pour violon et basse continue, Op. 10

I. Lamentevole

II. Balletto. Allegro

III. Aria. Comodo assai

IV. Fantasia. Allegro non presto

Antonio Caldara: Ciaccona No. 12 en Si Bémol Majeur pour deux violons et continuo, Op. 2

Ciaccona No. 12 en Si Bémol Majeur pour deux violons et continuo, Op. 2

Evaristo Felice dall'Abaco: Sonate No. 12 en Sol Mineur pour violon et basse continue, Op. 4

I. Largo

II. Presto e spiccato

III. Passagaglio. Un poco vivace

IV. Giga. Allegro assai

Antonio Vivaldi: Sonate en Si Bémol Majeur pour violon et basse continue, RV 759

I. Preludio. Largo

II. Allemanda. Allegro

III. Sarabande. Largo

IV. Corrente. Allegro

Antonio Caldara: Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: I. Preludio. Largo

Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: I. Preludio. Largo

Antonio Caldara: Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: II. Allemanda. Allegro

Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: II. Allemanda. Allegro

Antonio Caldara: Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: III. Corrente. Allegro

Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: III. Corrente. Allegro

Antonio Caldara: Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: IV. Tempo di Sarabanda. Non tanto allegro

Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2: IV. Tempo di Sarabanda. Non tanto allegro

Tomaso Albinoni: Sonate No. 5 en Sol Mineur pour violon et basse continue, Op. 4

I. Adagio

II. Allegro

III. Adagio

IV. Presto

Antonio Vivaldi: Sonate No. 12 en Ré Mineur pour deux violons et basse continue, Op. 1 "La Follia"

Sonate No. 12 en Ré Mineur pour deux violons et basse continue, Op. 1 "La Follia"

Gramophone Magazine

January 2017

“Claire Sottovia makes an admirable foil to Thibaud Noally, and the continuo players are splendid. But the disc really belongs to Noally, who exhibits expert double-stopping and elegant phrasing. His virtuoso account of the Presto in Albinoni’s sonata will take your breath away…a first-rate disc”

Record Review

11th December 2016

“beautifully played … the kind of thing you should play to anyone who thinks all Vivaldi sounds the same … they [Thibault Noally and Les Accents] play beautifully here, and what they offer us is a snapshot of the Venetian violin sonata at the start of the 18th century, virtuosic vehicles written after Corelli’s revolution”

Sunday Times

16th January 2017

“Supported by the purring rhythmic-harmonic engine of Les Accents’ continuo players, Thibault Noally excites and beguiles.”

The Guardian

4th December 2016

****

“From the first shimmering arpeggios across the strings...it is clear that this is something special: a highly characterised, sharply imagined feast of baroque violin playing. Thibault Noally’s command of this improvisational style...is complete.”

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