JS Bach: Ouvertures

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JS Bach: Ouvertures


Gramophone Awards 2017

Shortlisted - Baroque Instrumental

Gramophone Magazine

Editor's Choice - April 2017



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Release date:

24th Feb 2017




76 minutes


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JS Bach: Ouvertures

Bach, J S:

Cantata BWV119 'Preise, Jerusalem, den Herrn'

arr. A. Bernardini for orchestra

Orchestral Suite No. 1 in C major, BWV1066

Orchestral Suite No. 3 in D major, BWV1068

Cantata BWV194 'Höchsterwünschtes Freudenfest'

arr. A. Bernardini for orchestra

Orchestral Suite No. 4 in D major, BWV1069


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Like many German composers of his time, Johann Sebastian Bach also devoted himself to the French style with its characteristic dances and rhythmic ouvertures. His regular contact from an early age with French musicians and dance masters living in Germany made him very familiar and competent with the typical features of French music. Among the results of this interest are his orchestral ouvertures, of which BWV 1066, 1068 and 1069 with large scoring are presented in this recording. German composers occasionally liked to experiment freely with both the French and Italian styles, with the aim to originate that “gemischter Stil” (mixed style) that was so praised by Quantz and others. As an example of a free adaptation of an overture, Bach’s first chorus from Cantata BWV 110 adopts the first movement of the Orchestral Suite BWV 1069 with the addition of a 4-parts choir. Other of his cantatas begin with a chorus in overture form, and it is very likely that they are also his own arrangements of previous instrumental versions which are lost, as happened with many of his Cöthen works.

On the basis of this conjecture, Zefiro has included in this recording the reconstruction of instrumental overtures based on the opening choruses of Bach Cantatas BWV 119 and 194.

Johann Sebastian Bach: Preise, Jerusalem, den Herren, BWV 119

Preise, Jerusalem, den Herrn, BWV 119: Ouverture (arr. A. Bernardini for orchestra)

Johann Sebastian Bach: Orchestral Suite No. 1 in C Major, BWV 1066

I. Ouverture

II. Courante

III. Gavotte I-II

IV. Forlane

V. Menuet I-II

VI. Bourrée I-II

VII. Passepied I-II

Johann Sebastian Bach: Orchestral Suite No. 3 in D Major, BWV 1068

I. Ouverture

II. Air, "Air on a G String"

III. Gavotte I-II

IV. Bourrée

V. Gigue

Johann Sebastian Bach: Höchsterwünschtes Freudenfest, BWV 194

Höchsterwünschtes Freudenfest, BWV 194: Ouverture (arr. A. Bernardini for orchestra)

Johann Sebastian Bach: Orchestral Suite No. 4 in D Major, BWV 1069

I. Overture

II. Bourrée I-II

III. Gavotte

IV. Menuet I-II

V. Réjouissance

Gramophone Magazine

April 2017

“In BWV1066 trio passages are played by oboists Alfredo Bernardini and Paulo Grazzi and bassoonist Alberto Grazzi with unerring momentum and nuanced deftness...French-style dances lilt, sway or scamper, with a keen attention to charismatic details (the pair of Passepieds is an ideal compound of liveliness and refinement).”

Classical Music

July 2017


“Playing throughout is crisp and vibrant – Bernadini’s scampering about with his fellow oboist and bassoon is a delight – yet every bar feels infused with the spirit of the dance. The famous D major air is meltingly beautiful, the three unison violins entirely as one”

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