Puccini: La Rondine

Arthaus Musik: 101330

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Puccini: La Rondine

Catalogue No:

101330
(101 330)

Discs:

1

Release date:

29th June 2009

Barcode:

0807280133097

Medium:

Blu-ray

Region:

all

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Puccini: La Rondine

Live Recording from The Teatro La Fenice, Venice 2008


Fiorenza Cedolins (Magda), Fernando Portari (Ruggero), Sandra Pastrana (Lisette), Emanuele Giannino (Prunier), Stefano Antonucci (Ramblado)

Orchestra and Chorus of The Teatro La Fenice, Carlo Rizzi (conductor) & Graham Vick (director)

Running Time: 106 min
Picture Format: 16:9
Sound Format: PCM Stereo, dts-HD Master Audio 7.1
Blue Ray Disc, 25 GB (Single Layer)
Subtitle Languages: IT, GB, D, F, SP, JP
Menu Language: GB

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Set Design by Peter J. Davison & Costume Design by Sue Wilmington.

Venice 2008. This year’s schedule at La Fenice includes a special treat for opera-goers: a production of Puccini’s seldom-performed opera: “La Rondine” (The Swallow). And now this rarity can also be rediscovered on Blu-Ray. The score of the operetta-like threeact “lyrical comedy”, which tells the story of the love between Magda and Ruggero, must be one of Puccini’s most subtle creations. The light, bubbling music reveals levels of artistry and complexity that few composers have ever matched. Milan-born conductor Carlo Rizzi has worked with the world’s leading orchestras since 1982 – from Los Angeles and Chicago to Zurich, Milan and Salzburg, where he conducted a much-acclaimed production of “La Traviata” with Anna Netrebko and Rolando Villazón in 2005. Graham Vick, a highly experienced opera director, has directed who also is something of a “Britpop” enthusiast, has directed productions at the New York Met, Vienna State Opera, Bavarian State Opera and the Royal Opera House, London. In Glyndebourne, where he was director of productions from 1994 to 2000, he was responsible, amongst other things, for staging “Così fan tutte”, “Don Giovanni” and “Pélleas et Mélisande”.

BBC Music Magazine

January 2009

***

“…there's much to admire in Vick's carefully planned production, especially in a lively Act II dance-hall scene and in the sophisticated badinage of Act I, set in Magda's salon. Musically, Carlo Rizzi is in his element…”

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