Rossini: Il barbiere di Siviglia

Arthaus Musik: 100412

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Rossini: Il barbiere di Siviglia

Catalogue No:

(100 412)



Release date:

3rd Nov 2003




DVD Video





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Rossini: Il barbiere di Siviglia

David Malis, Jennifer Larmore, Richard Croft, Simone Alaimo, Renato Capecchi, Leonie Schoon, Roger Smeets

Chorus of the Netherlands Opera, Netherlands Chamber Orchestra, Alberto Zedda, stage direction & design by Dario Fo

Recording Date: 1992
Place of recording: Amsterdam
Running Time: 154 min
Picture Format: 4:3
Sound Format: PCM Stereo

Menu Languages PAL: D, F, GB, SP
Subtitle Languages PAL: D, F, GB, I, SP

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Gramophone Classical Music Guide


“We've cursed modern producers and their productions often enough, but here's a delight. The conductor, working with his own edition of the opera, is Alberto Zedda. But when the director and designer, Dario Fo, takes the last, climatic bow, he deserves every cheer he gets.
The performance was filmed at the Netherlands Opera in 1991, but the production dates back to 1987, and was Fo's first for the operatic stage. Employing a group of mime artists, he places the action in a commedia dell'arte setting and opens with a brilliant pantomime-accompaniment to the overture. The ideas match the music, and the visual style suits the elegance of Zedda's orchestral players. Throughout the opening solos, chorus and duet, a delightful ingenuity of movement plays along with the singers, who have the youth and elasticity of voice, limb and spirit to cope with the thousandand- one tasks thrown at them. There's very little sense of distraction or overloading; just a feast of melody, wit and energy.
The tenor Robert Croft impresses most: his tone is clear; his scales are fluent and evenly articulated, and he can apply vocal decoration with panache and delicacy. The Figaro, another American, David Malis, has personality and bright high notes. Jennifer Larmore's Rosina, better when seen than merely heard, is strongvoiced and technically accomplished. Renato Capecchi is a memorable Bartolo, distinct from the potbellied bumbler of convention.
In the theatre the production might be found too restless, but, expertly filmed, it's just about the most enjoyable comic opera production available on DVD.”

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