Mozart: Così fan tutte, K588

Arthaus Musik: 102309

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Mozart: Così fan tutte, K588

Catalogue No:

102309

Discs:

1

Release date:

28th Jan 2013

Barcode:

0807280230994

Medium:

DVD Video

Format:

NTSC

Region:

all

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Mozart: Così fan tutte, K588

Live Recording from The Glyndebourne Festival Opera, 1975


Helena Doese (Fiordiligi), Sylvia Lindenstrand (Dorabella), Danièle Perriers (Despina), Thomas Allen (Guglielmo) & Anson Austin (Ferrando)

Glyndebourne Festival Opera, John Pritchard (conductor) & Adrian Slack (stage director)

DVD Video

Normally: $21.25

Special: $17.00

Usually despatched in 2 - 3 working days.

Cosi fan tutte was one of the lesser-played great Mozart operas well into the 20th Century. In the festivals of South-English Glyndebourne, however, this work – which was initially criticised because of its “amorality” – has a long tradition. It was played when the festival had its debut in 1934 and was the first opera staged after the Second World War.

This engaging and witty production from 1975 is conducted by John Pritchard and has been singled out by many Mozart connoisseurs for its colourful set, fabulous costumes, and abundance of humour in its character portrayals. The problems, the protagonists have to deal with, seem to be so up-to-date, that it’s hard to believe, that Cosi fan tutte is not a contemporary work.

The moral of Mozart’s dramma giocoso is clear: fidelity in women is like an Arabian phoenix; everybody says it exists, nobody knows where. Leaving this defamatory statement aside, Così fan tutte is Mozart’s most beautiful ensemble opera ever written and a magnificent example of his wit at work.

With sterling performances from Helena Doese, Sylvia Lindenstrand, Anson Austin and Thomas Allen, and careful remastering, this production is a real highlight.

Sound Format: PCM Stereo

Picture Format: 4:3

DVD Format: DVD 9 NTSC

Subtitle Languages: IT (Original Language), GB, DE, FR, ES

Running Time: 158 mins

FSK: 0

BBC Music Magazine

July 2013

****

“Though a less probing account of the opera than usual nowadays, the score's miraculous beauty is fully realised, and the old Glyndebourne stage is a perfect fit.”

Click here for alternative recordings of this work.

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