Britten Rarities

Australian Eloquence: 4802296

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Britten Rarities

Catalogue No:

4802296

Discs:

1

Release date:

23rd July 2012

Barcode:

0028948022960

Length:

79 minutes

Medium:

CD
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Britten Rarities


Britten:

Voices for Today, Op. 75

First release on CD

Cambridge University Musical Society Chorus & Choir of King’s College, Cambridge, Sir David Willcocks

Songs from "Friday Afternoons", Op. 7

First release on CD

John Hahessy (boy alto) & Benjamin Britten (piano)

The birds

John Hahessy (boy alto) & Benjamin Britten (piano)

Corpus Christi Carol

John Hahessy (boy alto) & Benjamin Britten (piano)

Canticle II - Abraham & Isaac Op. 51

Norma Procter (contralto), Peter Pears (tenor) & Benjamin Britten (piano)

A Charm of Lullabies for mezzo-soprano and pianoforte, Op. 41 (1947)

First release on CD

Pamela Bowden (contralto) & Peter Gellhorn (piano)

Bottom’s Dream (from A Midsummer Night’s Dream)

Sir Geraint Evans (baritone)

L’Orchestre de la Suisse Romande, Ernest Ansermet

The Sword in the Stone

First release on CD

Terence Hanbury White (narrator)

Orchestra, Walter Goehr

Purcell:

Music for a while, Z583

arr. Tippett. First release on CD

Pamela Bowden (contralto) & Peter Gellhorn (piano)

From Rosy Bow'rs (from Don Quixote)

First release on CD

Pamela Bowden (contralto) & Peter Gellhorn (piano)


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This collection brings together rarities and surprises from the Decca/Argo Britten discography, a collection notable as much for the infrequency with which much of this music is performed, as it is for the fact that many of these are world-premiere recordings of Britten’s music. The source material itself is extremely rare and virtually every recording represented here is, in its LP/EP format, a collector’s item, largely from the Argo catalogue. The all-vocal program opens with Voices for Today which Britten wrote to mark the 20th anniversary of the founding of the United Nations. His devotion to excellent music for children is represented by a collection of songs, including five from Friday Afternoons and sung by the boy alto John Hahessy. It was Hahessy who was chosen over Norma Procter to sing the alto part in Britten’s Canticle II ‘Abraham and Isaac’. The earlier Procter/Pears/Britten version, recorded in 1957 but not released at the time in favour of the Hahessy recording; it is included on this collection. In later years, it was perhaps inevitable that other British singers would be compared with those who created and inspired Britten’s work, notably Ferrier, particularly after her early death. Pamela Bowden was one of those singers: she studied with Ferrier’s teacher, Roy Henderson, in London, and was hailed as the singer’s successor. She is represented by A Charm of Lullabies and it seemed sensible to include the remainder of the music on her original EP – two songs by Purcell – as bonus tracks for this release. A rare spoken-word appearance is made by author (and speaker) T.H. White, who reads an extract from his book The Sword in the Stone to an accompaniment of Britten’s music.

Benjamin Britten: Songs from "Friday Afternoons", Op.7

playI Mun Be Married On Sunday

playCuckoo!

playFishing Song

playThere Was A Monkey

playA New Year Carol

Benjamin Britten: Voices For Today

playVoices For Today

Benjamin Britten: The Birds

playThe Birds

Benjamin Britten: Corpus Christi Carol

playCorpus Christi Carol

Benjamin Britten: Canticle II, Abraham and Isaac, Op.51

playCanticle II, Abraham and Isaac, Op.51

Benjamin Britten: A Charm of Lullabies, Op.41

play1. Cradle Song

play2. The Highland Bales

play3. Sephestia's Lulaby

play4. A Charm

play5. The Nurse's Song

Benjamin Britten: A Midsummer Night's Dream. Opera in Three Acts, Op.64 - Act 3

play"When My Cue Comes, Call Me"

Benjamin Britten: The Sword In The Stone

playThe Sword In The Stone

Henry Purcell: Oedipus - arr. Tippett

playMusic For A While

Henry Purcell: Don Quixote

playFrom Rosy Bowers

BBC Music Magazine

October 2012

****

“Britten's underrated United Nations anthem Voices for Today makes it onto disc at last, together with vintage recordings of artists the composer chose to work with.”

Gramophone Magazine

(Friday Afternoons)

“John Hahessy has a splendid strong tone, almost brassy in forte, and a blessedly unaffected style: none of those cautious hoots and beautifully modulated vowels that are the bane of the English choirboy tradition. What is more he evidently has a real natural musicality, to judge by his moulding of phrases throughout this disc.”

Gramophone Magazine

(The Sword in the Stone)

“admirably read by the author, with a delightful mixture of sardonic humour and delicate description. The atmosphere is heightened by the music of Benjamin Britten, which brilliantly sharpens the word-pictures. […] It is all charming and will give great pleasure to young and old, for its story and the way it is told and for Britten's delicate score.”

Gramophone Magazine

(A Charm of Lullabies, Purcell)

“Britten's songs were written in 1947 for Nancy Evans, and it might be thought that they need rather more mezzo than contralto tone. But Miss Bowden sings them with no apparent strain, and her characterisation of each one is [very] successful … Her voice is not yet as opulent as Kathleen Ferrier's, but her dramatic sense is possibly more developed.”

Sunday Times

22nd July 2012

“In advance of Britten’s centenary, a deep draught of the strong wine of his sensibility. The items are mostly first releases on CD, from the margins of his recorded oeuvre...The boy alto John Hahessy is sumptuous in songs from Friday Afternoons”

Click on any of the works listed above for alternative recordings.

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