Beethoven: Complete Concertos

Australian Eloquence: 4805946

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.
Beethoven: Complete Concertos

Catalogue No:

4805946

Discs:

4

Release date:

18th June 2012

Barcode:

0028948059461

Length:

5 hours 0 minutes

Medium:

CD
| Share

Beethoven: Complete Concertos


Beethoven:

Piano Concertos Nos. 1-5 (complete)

Stephen Kovacevich (piano)

London Symphony Orchestra, Sir Colin Davis

Piano Concerto in E flat major, WoO 4

reconstructed by Willy Hess

Lidia Grychtolowna (piano)

Folkwang-Kammerorchester, Heinz Dressel

Violin Concerto in D major, Op. 61

Herman Krebbers (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Romance No. 1 for Violin and Orchestra in G major, Op. 40

Arthur Grumiaux (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Romance No. 2 for Violin and Orchestra in F major, Op. 50

Arthur Grumiaux (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Triple Concerto for Piano, Violin, and Cello in C major, Op. 56

Claudio Arrau (piano), Henryk Szeryng (violin) & Janos Starker (cello)

New Philharmonia Orchestra, Eliahu Inbal


CD - 4 discs

$23.25

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Like the Beethoven symphonies, his concertos form a cornerstone of the standard classical repertoire and collected together here, on four discs, are all his major concertos in stellar performances. From the Haydnesque first concertos, to the serene calm, poise and beauty of the Fourth Piano Concerto and the Violin Concerto, to the swagger of the Fifth (‘Emperor’) these are undisputed masterpieces all. The performances are all critically acclaimed – the Kovacevich/Davis partnership in the Piano Concertos, Krebbers and Haitink in the Violin Concerto and Grumiaux in the two Romances, slow movements in search of a full-length concerto, if you will, dating from c.1798-1801. By way of a curiosity is added the Piano Concerto in E flat, WoO 4, which has come down to us only in sketch form and is reconstructed by Willi Hess. Also included is Beethoven’s ‘tribute’ to the Baroque concerto grosso in the form of his Triple Concerto, with Arrau, Szeryng and Starker as the stellar soloists.

Ludwig van Beethoven: 1. Allegro con brio

play1. Allegro con brio

Ludwig van Beethoven: 2. Largo

play2. Largo

Ludwig van Beethoven: 3. Rondo (Allegro scherzando)

play3. Rondo (Allegro scherzando)

Ludwig van Beethoven: 1. Allegro con brio

play1. Allegro con brio

Ludwig van Beethoven: 2. Largo

play2. Largo

Ludwig van Beethoven: 3. Rondo (Allegro)

play3. Rondo (Allegro)

Ludwig van Beethoven: 1. Allegro con brio

play1. Allegro con brio

Ludwig van Beethoven: 2. Adagio

play2. Adagio

Ludwig van Beethoven: 3. Rondo (Molto allegro)

play3. Rondo (Molto allegro)

Ludwig van Beethoven: 1. Allegro moderato

play1. Allegro moderato

Ludwig van Beethoven: 2. Andante con moto

play2. Andante con moto

Ludwig van Beethoven: 3. Rondo (Vivace)

play3. Rondo (Vivace)

Ludwig van Beethoven: Violin Romance No.1 in G major, Op.40

playViolin Romance No.1 in G major, Op.40

Ludwig van Beethoven: Violin Romance No.2 in F, Op.50

playViolin Romance No.2 in F, Op.50

Ludwig van Beethoven: 1. Allegro

play1. Allegro

Ludwig van Beethoven: 2. Adagio un poco mosso

play2. Adagio un poco mosso

Ludwig van Beethoven: 3. Rondo (Allegro)

play3. Rondo (Allegro)

Ludwig van Beethoven: 1. Allegro

play1. Allegro

Ludwig van Beethoven: 2. Largo -

play2. Largo -

Ludwig van Beethoven: 3. Rondo alla Polacca

play3. Rondo alla Polacca

Ludwig van Beethoven: 1. Allegro ma non troppo

play1. Allegro ma non troppo

Ludwig van Beethoven: 2. Larghetto -

play2. Larghetto -

Ludwig van Beethoven: 3. Rondo (Allegro)

play3. Rondo (Allegro)

Ludwig van Beethoven: 1. Allegro moderato

play1. Allegro moderato

Ludwig van Beethoven: 2. Larghetto

play2. Larghetto

Ludwig van Beethoven: 3. Rondo (Allegretto)

play3. Rondo (Allegretto)

Gramophone Magazine

(Piano Concertos)

“outstanding performances … There is the absolute clarity and sparkle of his fingerwork, the magical hush of [Kovacevich’s] soft playing, the captivating gradation of tone when he moves in a short phrase from brilliance to deep tenderness … Above all, the records are distinguished by the rapport between soloist and conductor. Neither is a sensation-seeking artist; both have the integrity that puts the music first, so that you can be sure you are hearing Beethoven as they feel he intended”

Gramophone Magazine

(Violin Concerto)

“Krebbers gives a finely lyrical performance, yet also one with nobility, which takes its place among those by Grumiaux and Suk – and no praise could be higher than that […] Krebbers's fine performance shows great musicianship, all based on an impeccable technical skill – not a note is hesitantly placed. As both soloist and orchestra sound forward, the balance is good”

Gramophone Magazine

(Triple Concerto)

“The high spot is the slow movement; in particular, Starker's exquisite playing of his melody at the start. This is really beautiful..”

Click on any of the works listed above for alternative recordings.

Copyright © 2002-13 Presto Classical Limited, all rights reserved.