Twentieth Century Masters Volume 1 - Poulenc and His Contemporaries

Avie: AV2084

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Twentieth Century Masters Volume 1 - Poulenc and His Contemporaries

Label:

Avie

Catalogue No:

AV2084

Discs:

1

Release date:

24th April 2006

Barcode:

0822252208429

Medium:

CD
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Twentieth Century Masters Volume 1 - Poulenc and His Contemporaries


Messiaen:

O sacrum convivium

Poulenc:

Salve Regina

Quatre petites prières de Saint François d'Assise

Exultate Deo

Gloria from Quem vidistis pastores dicite

O magnum mysterium (No. 1 from Quatre Motets pour le temps de Noël, Op.152)

Hodie Christus natus est (No. 4 from Quatre Motets pour le temps de Noël, Op.152)

Extracts from Messe en sol majeur

Litanies à la Vierge noire

Nicholas Wearne (organ)

Villette:

Attende Domine, Op. 45

Panis angelicus, Op. 80

Hymne à la Vierge, Op. 24


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In 2006, Edward Higginbottom celebrated 30 years as Director of Music at New College Oxford. During his time there the New College Choir has achieved international recognition and produced over 70 recordings, many of them worldwide best sellers. This release is the first in a trio of CDs exploring 20th-century choral music, grouped thematically by country. The journey begins in France, where we find Poulenc exploring his religious side, not something often associated with the rebellious and often cheeky Parisian. But he did maintain a strong spiritual streak, remarking once that “he’s not as religious as he’d like to be.” His liturgical writing is deeply contemplative and affecting in its simplicity, yet now and again his witty side will emerge. He shares the disc with his contemporaries Messiaen – represented by his only motet O sacrum convivium – and Pierre Villette who had strong links with the English choral tradition. His ambitious six-part piece Attende Domine was dedicated to the choir of Worcester Cathedral.

Daily Telegraph

“very special … outstanding quality both musically and dramatically”

Gramophone Magazine

October 2006

“The three works by Villette demonstrate the range and quality and the subtle radiance of his writing. O sacrum convivium!, Messiaen's only motet, is nearly five minutes of genuine bliss, typically sensuous and celestial, and close in feeling to his early organ music.”

Click on any of the works listed above for alternative recordings.

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