Janet Baker

BBC Legends: BBCL42002

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Janet Baker

Catalogue No:

BBCL42002

Series:

Singers

Discs:

1

Release date:

30th Oct 2006

Barcode:

0684911420029

Length:

69 minutes

Medium:

CD (download also available)
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Janet Baker

Brahms - Lieder


Brahms:

Heimweh, Op. 63 No. 8

O kühler Wald, Op. 72 No. 3

Geheimnis, Op. 71 No. 3

Wir wandelten, wir zwei zusammen Op. 96/2

Meerfahrt, Op. 96 No. 4

Ständchen, Op. 106 No. 1

Ein Wanderer, Op. 106 No. 5

Regenlied (No. 3 from Acht Lieder und Gesänge, Op. 59)

Das Mädchen spricht, Op. 107 No. 3

Mädchenlied, Op. 107 No. 5

Mondnacht, WoO 21

Auf dem Kirchhofe, Op. 105 No. 4

Feldeinsamkeit, Op. 86 No. 2

Vergebliches Ständchen, Op. 84 No. 4

An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty)

Meine Liebe ist grün, Op. 63 No. 5

Herbstgefühl, Op. 48 No. 7

Abendregen, Op. 70 No. 4

Verzagen, Op. 72 No. 4

Nachtwandler, Op. 86 No. 3

Komm bald, Op. 97 No. 5 (Groth)

Der Tod, das ist die kühle Nacht, Op. 96 No. 1

Von ewiger Liebe, Op. 43 No. 1


Janet Baker

Ernest Lush & Paul Hamburger

Recorded: BBC Studios, London, 16 September 1960 / 4 January 1968 / 7 February 1961

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Johannes Brahms: 9 Lieder und Gesange, Op. 63

play9 Lieder und Gesange, Op. 63: No. 8. O wusst ich doch den Weg zuruck

Johannes Brahms: 5 Gesange, Op. 72

play5 Gesange, Op. 72: No. 3. O kuhler Wald

Johannes Brahms: 5 Gesange , Op. 71

play5 Gesange , Op. 71: No. 3. Geheimnis

Johannes Brahms: 4 Lieder, Op. 96 (text by G.F. Daumer)

play4 Lieder, Op. 96: No. 2. Wir wandelten

Johannes Brahms: 4 Lieder, Op. 96 (text by H. Heine)

play4 Lieder, Op. 96: No. 4. Meerfahrt

Johannes Brahms: 5 Lieder, Op. 106 (text by F.T. Kugler)

play5 Lieder, Op. 106: No. 1. Standchen

Johannes Brahms: 5 Lieder, Op. 106

play5 Lieder, Op. 106: No. 5. Ein Wanderer

Johannes Brahms: Regenlied, WoO 23

playRegenlied, WoO 23

Johannes Brahms: 5 Lieder, Op. 107 (text by O.F. Gruppe)

play5 Lieder, Op. 107: No. 3. Das Madchen spricht

Johannes Brahms: 5 Lieder, Op. 107 (text by P. Heyse)

play5 Lieder, Op. 107: No. 5. Madchenlied

Johannes Brahms: Mondnacht, WoO 21

playMondnacht, WoO 21

Johannes Brahms: 5 Lieder, Op. 105

play5 Lieder, Op. 105: No. 4. Auf dem Kirchhofe

Johannes Brahms: 6 Lieder, Op. 86 (text by H. Allmers)

play6 Lieder, Op. 86: No. 2. Feldeinsamkeit

Johannes Brahms: 5 Romanzen und Lieder, Op. 84

play5 Romanzen und Lieder, Op. 84: No. 4. Vergebliches Standchen

Johannes Brahms: 4 Lieder, Op. 46

play4 Lieder, Op. 46: No. 4. An die Nachtigall

Johannes Brahms: 9 Lieder und Gesange, Op. 63 (text by F. Schumann)

play9 Lieder und Gesange, Op. 63: No. 5. Meine Liebe ist grun

Johannes Brahms: 7 Lieder, Op. 48 (text by A.F. Von Schack)

play7 Lieder, Op. 48: No. 7. Herbstgefuhl

Johannes Brahms: 5 Gesange, Op. 72 (text by K.A. Candidus)

play5 Gesange, Op. 72: No. 2. Sommerfaden

Johannes Brahms: 4 Gesange, Op. 70 (text by Keller)

play4 Gesange, Op. 70: No. 4. Abendregen

Johannes Brahms: 5 Gesange, Op. 72 (text by C. Lemcke)

play5 Gesange, Op. 72: No. 4. Verzagen

Johannes Brahms: 6 Lieder, Op. 86 (text by M. Kalbeck)

play6 Lieder, Op. 86: No. 3. Nachtwandler

Johannes Brahms: 6 Lieder, Op. 97 (text by K. Groth)

play6 Lieder, Op. 97: No. 5. Komm bald

4 Lieder, Op. 96 (text by H. Heine)

play4 Lieder, Op. 96: No. 1. Der Tod, das ist die kuhle Nacht

Johannes Brahms: 4 Gesange, Op. 43 (text by J. Wenzig)

play4 Gesange, Op. 43: No. 1. Von ewiger Liebe ('Dunkel, wie dunkel in Wald und in Feld!')

MusicWeb International

“This is an important disc and one that will give great pleasure since it contains so much fine and deeply committed singing. It’s certainly a mandatory purchase for all admirers of Brahms’s lieder or of Dame Janet Baker.”

The Times

“what singing: what a voice, what beauty of line, variety of colour, incisive diction and unforced mastery of the whole difficult art of Lieder…the disc is a feast.”

Gramophone Classical Music Guide

2010

“Listening to these Brahms songs culled from BBC broadcasts one realises just why Dame Janet's reputation continues to remain so high and why so many of her successors don't quite match her standards. To every song here, familiar or unfamiliar, she brings her special ability of making it her own and reaching to its heart. It's an almost uncanny gift, and not one easy to explain, but it makes every song in this programme momentous. Wondrous is the sustained half-voice with which she invests Nachtwandler with its intimate, sad feeling.
Then there's the outpouring of joy that is Meine Liebe ist grün to which she brings the most lustrous tone and an outgoing manner, and finally the gentle sense of fun, never overdone, which she brings to the very familiar VergeblichesStändchen.
If Brahms had written no other songs than Feldeinsamkeit, Der Tod, das ist die kühle Nacht and Von ewiger Liebe, he would surely be hailed as a great Lieder composer. Baker obviously understands their astonishing high quality. The first is sung, as it should be, with a kind of inner wonder, each amazing line given its full due. In the second, a Liebestod avant la lettre, she sings with the proper impassioned feeling, while the last, a happier statement of eternal love, is sung with the rugged conviction that always showed the singer at her very best.
Lush and Hamburger, especially the latter, are fully cognisant of what to do with Brahms's intricate writing for the piano. The sound is admirable, catching early Baker in full flow.”

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