Sharon Bezaly: Pipe Dreams

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Sharon Bezaly: Pipe Dreams



Catalogue No:




Release date:

1st Oct 2012




60 minutes


CD (download also available)
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Sharon Bezaly: Pipe Dreams


Impresiones de la Puna for flute and string quartet

version for flute and orchestra


Concerto for flute and strings - Pitangus Sulphuratus


Flute Concerto with Tango

Vine, C:

Pipe Dreams

Sharon Bezaly (flute)

Australian Chamber Orchestra, Richard Tognetti (artistic director & lead violin)



(also available to download from $10.00)

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Sharon Bezaly here performs with the eminent Australian Chamber Orchestra and Richard Tognetti in a programme which takes its name from the Australian composer Carl Vine’s work for flute and orchestra.

Pitangus Sulphuratus from the Venzuelan composer Adina Izarra’s concerto – composed in 1987, but with a new cadenza written especially for Bezaly – depicts a yellow and brown bird found in the Caracas valley. Its call appears throughout the piece

The tango makes an almost dreamlike appearance in Flute Concerto with Tango, which José Serebrier has dedicated to Sharon Bezaly.

Impresiones de la Puna embodies the dream of an eighteen-year-old Alberto Ginastera to find a truly Argentinean musical language.

Jose Serebrier: Flute Concerto

I. Quasi Presto

II. Cadenza: Andante rubato

III. Fantasia

IV. Tango inconclusivo

V. Allegro comodo

Adina Izarra: Flute Concerto, "Pitangus Sulphuratus"

Flute Concerto, "Pitangus Sulphuratus" (revised 2007 version)

Carl Vine: Pipe Dreams

Pipe Dreams

Alberto Ginastera: Impresiones de la Puna (version for flute and orchestra)

I. Quena

II. Cancion - Yaravi - Tempo I

III. Danza

BBC Music Magazine

February 2013


“Bezaly plays the solo parts with great sympathy for their idioms, phenomenal virtuosity, perfect intonation even in the highest register, and warm tone. Her warmth is matched by the soloists from within the Australian Chamber Orchestra...Altogether, the four atmospheric works and Bezaly's performances amount to an impressive demonstration of the possibilities of the flute.”

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