The Trio Sonata in 18th-Century Germany

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The Trio Sonata in 18th-Century Germany



Catalogue No:




Release date:

3rd June 2013




66 minutes


CD (download also available)
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The Trio Sonata in 18th-Century Germany

Bach, C P E:

Trio Sonata in B flat major, Wq158 H584

Bach, J C F:

Trio Sonata in F major for two violins and b.c, W.VII/3

Fasch, J F:

Trio Sonata in C minor


Trio Sonata in C major for two violins and b.c.

Graun, J G:

Trio in B flat major for violin, viola & b.c.


Trio in G major for violin, gamba & B.c. TWV 42:G10



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The closing disc in London Baroque’s survey of the rise and fall of the trio sonata.

Looking back over this eight-disc series, which opened with three Fantasias composed before 1620 by Orlando Gibbons, it becomes clear how far London Baroque has travelled. The series has taken in both staples of the repertoire and more or less unknown jewels, by composers still revered today or awaiting rediscovery.

Johann Gottlieb Goldberg: Trio Sonata No. 4 in C major

I. Adagio

II. Allabreve

III. Largo

IV. Gigue

Johann Friedrich Fasch: Trio Sonata in C minor, FWV N:c2

I. Largo

II. Allegro un poco

III. Largo

IV. Allegro

Johann Christoph Friedrich Bach: Trio Sonata in F major, W. VII/3, B. 12

I. Allegro

II. Andante

III. Tempo di Minuetto

Johann Gottlieb Graun: Trio in B flat major

I. Adagio

II. Allegretto

III. Allegro non troppo

Georg Philipp Telemann: Trio in G major, TWV 42:G10

I. Cantabile

II. Vivace

III. Affettuoso

IV. Allegro

Carl Philipp Emanuel Bach: Trio Sonata in B flat major, Wq. 158, H. 584

I. Allegretto

II. Largo con sordini

III. Allegro

BBC Music Magazine

November 2013


“London Baroque's trio sonata tour revisits Germany. Breewzy Graun and suave Telemann complement more modern specimens by the Bach brothers. Stylish playing, ravishingly recorded.”

MusicWeb International

6th September 2013

“with the exception of Goldberg's sonata these compositions are not that well-known and that makes this disc a worthwhile addition to the discography. That is even more the case in consideration of the performances. London Baroque is one of the older ensembles in the world of historical performance practice. It is still going strong, and it is remarkable how it has kept its high standard over so many years.”

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