BIS: BISCD1450

Villa-Lobos - Chôros Volume 2

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Villa-Lobos - Chôros Volume 2

7318590014509

BIS-CD-1450

Villa-Lobos - Chôros Volume 2


Villa-Lobos:

Chôros No. 1 for guitar

Fabio Zanon (guitar)

Chôros No. 4 for three horns & trombone

Dante Yenque, Ozéas Arantes & Samuel Hamzem (horn) & Darrin Coleman Milling (bass trombone)

Chôros No. 6 for orchestra

Chôros No. 8 for large orchestra & 2 pianos

Linda Bustani and Ilan Rechtman (piano)

Chôros No. 9 for orchestra


São Paulo Symphony Orchestra, John Neschling

After a highly acclaimed 3-disc traversal of Villa-Lobos’ 9 Bachianas Brasileiras, the São Paulo Symphony Orchestra (OSESP) takes on the Choros by the same composer, in a cycle supervised by the orchestra’s artistic director John Neschling. In the Choros, composed between 1920 and 1929, Villa-Lobos’ point of departure is the Brazilian popular genre called choro, and he described his Choros as a synthesis of ‘the different modalities of indigenous and popular Brazilian music’, adding that the word ‘serenade’ gives an approximate idea of what Choros is. This vagueness was probably intentional – Villa-Lobos wanted to catch the improvisatory aspect of the genre, and as a result the works are very varied. The cycle includes brief solo pieces, chamber settings and full-length works for large symphony orchestra, with or without solo instruments or choir, as exemplified by the first volume of this series, released in February 2008. This received a Diapason d’or in the French magazine Diapason, and a review that described the performance of No.7 – for seven players – ‘a lesson in agogic freedom’ and the monumental No.11 – for piano and orchestra – ’a master-piece that opens up onto an almost infinite acoustic universe’, applauding the ’extraordinary interpretation’ by Cristina Ortiz and the orchestra. Volume 2 includes the first of the Choros, for solo guitar, as well as No.4 for three horns & trombone, but also three large-scale orchestral works, adding further facets to this fascinating and kaleidoscopic cycle.

“Villa-Lobos's textural inventiveness is a constant delight in both [Choros 8 & 9] and the São Paulo Symphony's performances under John Neschling exploit it to maximum effect.” The Guardian, 25th July 2008 ****

GGramophone Magazine

Editor's Choice - October 2008

Released or re-released in last 6 months

BIS - BISCD1450

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