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Jean Sibelius: In memoriam, Op. 59
In memoriam, Op. 59 (1st version 1909)
Jean Sibelius: 2 Pieces, Op. 77
No. 1. Cantique (Laetare anima mea): Moderato assai
No. 2. Devotion (Ab imo pectore): Tempo molto moderato
Jean Sibelius: String Quartet in B flat major, Op. 4 (arr. for orchestra)
String Quartet in B flat major, Op. 4: III. Scherzo: Presto (arr. for string orchestra)
Jean Sibelius: Lemminkainen Suite, Op. 22
Lemminkainen Suite, Op. 22: III. Lemminkainen in Tuonela (reconstructed 1896 version)
Jean Sibelius: Humoresques, Op. 87
Humoresque No. 1 in D minor, Op. 87, No. 1 (1st version 1917)
Jean Sibelius: 3 Pieces, Op. 96
No. 1. Valse lyrique, Op. 96a
No. 2. Autrefois, Op. 96b
No. 3. Valse chevaleresque, Op. 96c
In memoriam, Op. 59
In memoriam, Op. 59 (revised version 1910)
November 2006
*****
“Another Sibelius CD of exceptional interest and fascination from Lahti and Osmo Vänskä in the BIS complete survey. Impressive playing throughout an excellent recording.”
2010
“The centrepiece of this fine collection is a reconstruction of Lemminkäinen in Tuonela as it sounded at the April 1896 Helsinki premiere. When Sibelius reworked the score in 1939, he excised at least 108 bars, including an impressive 32-bar introduction and a hefty chunk of the ghostly A minor central episode. Annotator Andrew Barnett tells us that the Op 77 Two Serious Melodies, for violin and orchestra, were first heard in March 1916 in Sibelius's arrangement for cello. Soloist Marko Ylönen is a rapt proponent of this headily lovely diptych, while the Lahti SO's leader Jaakko Kuusisto is a model of sensitive agility in the first version (from 1917) of the enchanting Humoresque No 1 in D minor. The Three Pieces contain a fetching 18th-century pastiche, 'Autrefois', which incorporates a setting for soprano and contralto of a poem by Hjalmar Procopé. Bookending the programme are the original and revised versions (from 1909 and 1910 respectively) of the funeral march In memoriam, a stark yet noble (and at times intriguingly Mahlerian) processional to remind us that the uncompromising Fourth Symphony was not far off. Vänskä and his bright-eyed Lahti band are on irreproachable form, and the BIS production crews have come up trumps once again with resplendently natural sound.”
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