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BIS present a re-release of Schubert Operatic Overtures from Haydn Sinfonietta Wien – performing on period instruments – under Manfred Huss.
The recordings were made in 1997 for release on the Koch/Schwann label, and soon became a collectors’ item after its deletion. This re-release has been remastered by BIS Records.
Schubert’s music for the stage is much less well known than his lieder and symphonies. Although he had one of his first public successes with the Singspiel Die Zwillingsbrüder, most of his works for theatre would remain unperformed for a long time after his death, and are still rarities in the repertoire.
Franz Schubert: Der Teufel als Hydraulicus, D. 4: Overture
Der Teufel als Hydraulicus, D. 4: Overture
Franz Schubert: Der Spiegelritter, D. 11: Overture
Der Spiegelritter, D. 11: Overture
Franz Schubert: Des Teufels Lustschloss, D. 84: Overture
Des Teufels Lustschloss, D. 84: Overture
Franz Schubert: Der vierjahrige Posten, D. 190: Overture
Der vierjahrige Posten, D. 190: Overture
Franz Schubert: Claudine von Villa Bella, D. 239: Overture
Claudine von Villa Bella, D. 239: Overture
Franz Schubert: Die Freunde von Salamanka, D. 326: Overture
Die Freunde von Salamanka, D. 326: Overture
Franz Schubert: Die Zwillingsbruder, D. 647: Overture
Die Zwillingsbruder, D. 647: Overture
Franz Schubert: Alfonso und Estrella, D. 732: Overture, "Rosamunde"
Alfonso und Estrella, D. 732: Overture, "Rosamunde"
Franz Schubert: Die Verschworenen (Der hausliche Krieg), D. 787: Overture
Die Verschworenen (Der hausliche Krieg), D. 787: Overture
Franz Schubert: Fierabras, D. 796: Overture
Fierabras, D. 796: Overture
August 2012
“What wonderful music this is!...The Haydn Sinfonietta Wien plays with virtuosity and unflagging energy, featuring crisp articulation and beautiful ensemble work from each section. This is music that both conductor and orchestra clearly believe in...There is no better way to hear this still little known portion of Schubert’s genius.”
24th June 2012
“The future supreme master of lieder has yet to find his feet in these often bombastic sub-Beethovian experiments but they do offer a taste of teenage Franz's burgeoning musical imagination.”
Click on any of the works listed above for alternative recordings.