Monteclair: Cantates à voix seule

BIS: BISCD1865

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Monteclair: Cantates à voix seule

Awards:

BBC Music Magazine

Choral & Song Choice - November 2011

Label:

BIS

Catalogue No:

BISCD1865

Discs:

1

Release date:

30th Aug 2011

Barcode:

7318590018651

Length:

69 minutes

Medium:

CD (download also available)
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Monteclair: Cantates à voix seule


Monteclair:

Le Retour de la Paix

Pan et Syrinx

Le Triomfe de la Constance

La mort de Didon

La Morte di Lucretia


CD

$16.25

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Emma Kirkby and London Baroque here return to BIS with a disc of music from the French composer Michel Pignolet de Montéclair.

An almost exact contemporary of François Couperin and only some 15 years older than Rameau, Montéclair was also a composer working in all the genres current at the time, including that of the chamber cantata for one or two voices and strings, dealing mainly with subjects from classical history or mythology. The large majority used French texts with four Italian ones, including La Morte di Lucretia, recorded here.

The works The Return of Peace and Le Triomfe de la Constance both illustrate Montéclair’s skill at overcoming the challenges of producing a restricted instrumentation that provides effective backcloth for the action. The trumpets celebrating The Return of Peace are quite satisfactorily suggested by unison violins, and the shepherd's bagpipes are alluded to by two bass viols in Le Triomfe de la Constance.

Emma Kirkby and London Baroque have previously worked together on BIS with recordings of solo cantatas by Handel that have met with great acclaim.

Michel Pignolet de Monteclair: Cantates a voix seule, Book 1: Le retour de la paix

Vivement

Air: Tendrement

Legerement

Lent et detache

Leger et doux

Recitatif: Discorde, tes efforts vont etre superflus

Air des Trompettes

Michel Pignolet de Monteclair: Cantates a une et a deux voix, Book 2: Pan et Syrinx

Recitatif

Air

Recitatif

Air: lent et mesure

Symphonie: Modere

Recitatif

Air gai

Recitatif

Air, lentement et tendrement

Air gai

Michel Pignolet de Monteclair: Cantates a voix seule, Book 1: Le triomphe de la constance

Recitatif

Tendrement et un peu de mouvement

Recitatif

Tendrement

Recitatif

Air

Michel Pignolet de Monteclair: Cantates a voix seule, Book 1: La mort de Didon

Lent, marque et detache

Air: Lent

Recitatif

Vivement

Recitatif

Air

Michel Pignolet de Monteclair: Cantates a une et a deux voix, Book 3: Morte di Lucretia

Presto

Recitativo

Aria: Largo et affettuoso

Recitativo

Aria: Vivace - Adagio

Recitativo: Adagio

Recitativo

The Times

17th September 2011

****

“Though in her sixties, Dame Emma Kirkby summons all her old vocal glories — clean line, plangent timbre, deft ornaments, impeccable intonation and a superb response to text...it’s in the laments for Dido and Lucretia that she is at her most expressive, and here, too, that London Baroque’s astringent single strings are most effective.”

BBC Music Magazine

November 2011

*****

“This is an admirable marriage between scholarly revelation and uninhibited delight in performance...Kirkby has thrilled us for years with her sparkling Italianate virtuosity. She's no less outstanding in the subtleties of French singing, decorating lines with nuanced trills, turns and leaning dissonances, while sustaining an irresistable sense of purpose and forward direction.”

Classic FM Magazine

November 2011

***

“Kirkby embellishes every note with a grace, lightness and sparkle which other sopranos in careers half as long have already lost. Her taste serves expression. Baroque swirls, shakes, roulades and turns float as weightlessly as cherubs on a church ceiling...She engages with the instruments. Voice and violin mimic each other in the death of Dido while in Triomfe de la Constance, the sombre gamba is her echo.”

Gramophone Magazine

January 2012

“Emma Kirkby singing French repertoire is a rare thing but her old friends London Baroque are steeped in it, and these performances are as stylish as one could wish...Kirkby's voice could have been brought further forward but her ever-present virtues of clarity, secure passagework and interpretative intelligence still emerge”

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