Sibelius - Music for Violin and Piano, Volume 2

BIS: BISCD625

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Sibelius - Music for Violin and Piano, Volume 2

Label:

BIS

Catalogue No:

BISCD625
(BIS-CD-625)

Discs:

1

Release date:

1st June 1994

Barcode:

7318590006252

Length:

56 minutes

Medium:

CD (download also available)
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Sibelius - Music for Violin and Piano, Volume 2


Sibelius:

Five Pieces, Op. 81

Novelletto, Op. 102

Five Danses Champêtres, Op. 106

Four Pieces, Op. 115

Three Pieces, Op. 116


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Jean Sibelius: 5 Pieces, Op. 81

I. Mazurka

II. Rondino

III. Valse

IV. Aubade

V. Menuetto

Jean Sibelius: Novellette, Op. 102

Novellette, Op. 102

Jean Sibelius: 5 Danses champetres, Op. 106

I. Largamente assai - Vivace

II. Alla polacca

III. Tempo moderato

IV. Tempo di menuetto

V. Poco moderato - Allegretto

Jean Sibelius: 4 Pieces, Op. 115

I. Auf der Heide (On the Heath)

II. Ballade

III. Humoresque

IV. The Bells (Capricietto)

Jean Sibelius: 3 Pieces, Op. 116

I. Scene de danse

II. Danse caracteristique

III. Rondeau romantique

Gramophone Classical Music Guide

2010

“No one listening to this music would doubt that Sibelius had a special feeling for the violin.
Whether he's composing lighter music such as the captivating 'Rondino' from the Op 81 set or the more substantial later pieces, such as the first of the Danses champêtres, which comes close to the world of The Tempest. Neither the Op 115 nor the Op 116 set contains great music but they're much finer than they have been given credit for. Both 'On the heath' and the 'Ballade', Nos 1 and 2 of Op 115, have an innocence that calls to mind the wonderful Humoresques for violin and orchestra. In particular 'The Bells', Op 115 No 4 is a rather cryptic miniature and the 'Scène de danse' of Op 116, with its striking tonal juxtapositions, is a kind of Finnish equivalent of the Bartók Romanian Dances. Nils-Erik Sparf and Bengt Forsberg are dedicated and sensitive exponents who make the most of the opportunities this repertoire provides. One small reservation: the piano tone sounds a little thick at the bottom end, and the violin is by no means the dominant partner. Enthusiastically recommended.”

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