CPE Bach: Cello Concertos Nos. 1-3

BIS: BISCD807

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CPE Bach: Cello Concertos Nos. 1-3

Awards:

Penguin Guide

Rosette Winner

Label:

BIS

Catalogue No:

BISCD807
(BIS-CD-807)

Discs:

1

Release date:

1st March 1997

Barcode:

7318590008072

Length:

67 minutes

Medium:

CD (download also available)
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CPE Bach: Cello Concertos Nos. 1-3


Bach, C P E:

Cello Concerto No. 1 in A minor, Wq. 170 (H432)

Cello Concerto No. 2 in B flat major, Wq. 171 (H436)

Cello Concerto No. 3 in A major, Wq. 172 (H439)


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Carl Philipp Emanuel Bach: Cello Concerto in A minor, Wq. 170, H. 432

I. Allegro assai

II. Andante

III. Allegro assai

Carl Philipp Emanuel Bach: Cello Concerto in B flat major, Wq. 171, H. 436

I. Allegretto

II. Adagio

III. Allegro assai

Carl Philipp Emanuel Bach: Cello Concerto in A major, Wq. 172, H. 439

I. Allegro

II. Largo con sordini, mesto

III. Allegro assai

Gramophone Classical Music Guide

2010

“Why is it that cellists who bemoan their lack of concerto repertory continue to neglect CPE Bach's three essays in the genre? It's a mystery; they're excellent pieces, full of infectious nervous energy in their outer movements and tender lyricism in central ones. They aren't unknown to the recording catalogues, however, not least because they also exist in alternative versions which the composer made for flute and harpsichord.
Though there are times when the low-lying cello has difficulty making itself heard against the orchestra, Suzuki makes light of the matter with performances whose agility, lightness and textural clarity make those of Bylsma and the largersounding Orchestra of the Age of Enlightenment sound heavy-handed. But while Suzuki – thanks to a generally thinner sound – is the more successful in the way he transmits the surface excitement and energy of the quick movements, he can't match Bylsma's vocal inspiration in the eloquent poetry of the slow movement. Suzuki's, nevertheless, are refreshing, enlivening performances of attractive and substantial music.”

Penguin Guide

2011 edition

“These works show their fine composer at his most inventive. Hidemi Suzuki, who is soloist/director here, is another fine artist from this remarkably talented family, and he creates a dashing flow of energy in the orchestral ritornellos of outer movements; and the Bach Collegium play with great zest and commitment.”

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