Bach - Cantatas Volume 31


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Bach - Cantatas Volume 31



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Release date:

30th May 2006




77 minutes


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Bach - Cantatas Volume 31

Bach, J S:

Cantata BWV91 'Gelobet seist du, Jesu Christ'

Cantata BWV101 'Nimm von uns, Herr, du treuer Gott'

Cantata BWV121 'Christum wir sollen loben schon'

Cantata BWV133 'Ich freue mich in dir'



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Johann Sebastian Bach: Gelobet seist du, Jesu Christ, BWV 91

Chorus: Gelobet seist du, Jesu Christ

Recitative: Der Glanz der hochsten Herrlichkeit (Soprano)

Aria: Gott, dem der Erden Kreis zu klein (Tenor)

Recitative: O Christenheit! Wohlan, so mache die bereit (Bass)

Aria Duet: Die Armut, so Gott auf sich nimmt (Soprano, Alto)

Chorale: Das hat er alles uns getan

Johann Sebastian Bach: Nimm von uns Herr, du treuer Gott, BWV 101

Chorus: Nimm von uns Herr, du treuer Gott

Aria: Handle nicht nach deinen Rechten (Tenor)

Recitative: Ach! Herr Gott, durch die Treue dein (Soprano)

Aria: Warum will du so zornig sein? (Bass)

Recitative: Die Sund hat uns verderbet sehr (Tenor)

Aria Duet: Gedenk an Jesu bittern Tod! (Soprano, Alto)

Chorale: Leit uns mit deiner rechten Hand

Johann Sebastian Bach: Christum wir sollen loben schon, BWV 121

Chorus: Christum wir sollen loben schon

Aria: O du von Gott erhohte Kreatur (Tenor)

Recitative: Der Gnade unermesslich's Wesen (Alto)

Aria: Johannis freudenvolles Springen (Bass)

Recitative: Doch wie erblickt es dich in deiner Krippe? (Soprano)

Chorale: Lob, Ehr und Dank sei dir gesagt

Johann Sebastian Bach: Ich freue mich in dir, BWV 133

Chorus: Ich freue mich in dir

Aria: Getrost! es fasst ein heilger Leib (Alto)

Recitative: Ein Adam mag sich voller Schrecken (Tenor)

Aria: Wie lieblich klingt es in den Ohren (Soprano)

Recitative: Wohlan, des Todes Furcht und Schmerz (Bass)

Chorale: Wohlan, so will ich mich

BBC Music Magazine

July 2006


“…there are many fine solo contributions, from among which I would single out the sensitive partnership of Yukari Nonoshita and Robin Blaze in the vocally imitative duet of BWV 91. Gerd Türk and Peter Kooij are on their characteristically dependable form, but it would be an injustice to overlook the delicate and limpid playing of Liliko Maeda whose flute obbligato has ousted the more frequently encountered violin in the tenor aria of BWV 101.”

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