Bach - Cantatas Volume 37

BIS: BISSACD1621

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Bach - Cantatas Volume 37

Label:

BIS

Catalogue No:

BISSACD1621
(BIS-SACD-1621)

Discs:

1

Release date:

26th Nov 2007

Barcode:

7318599916217

Length:

77 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel
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Bach - Cantatas Volume 37

Solo Cantatas for Alto


Bach, J S:

Cantata BWV169 'Gott soll allein mein Herze haben'

Cantata BWV170 'Vergnügte Ruh, beliebte Seelenlust'

Cantata BWV35 'Geist und Seele wird verwirret'

Cantata BWV200 'Bekennen will ich seinen Namen'


SACD

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Johann Sebastian Bach: Gott soll allein mein Herze haben, BWV 169

Sinfonia

Arioso: Gott soll allein mein Herze haben (Alto)

Aria: Gott soll allein mein Herze haben (Alto)

Recitativo: Was ist die Liebe Gottes (Alto)

Aria: Stirb in mir Welt (Alto)

Recitativo: Doch meint es auch dabei (Alto)

Chorale: Du susse Liebe

Johann Sebastian Bach: Vergnugte Ruh! beliebte Seelenlust, BWV 170

Aria: Vergnugte Ruh! beliebte Seelenlust! (Alto)

Recitative: Die Welt, das Sundenhaus (Alto)

Aria: Wie jammern mich doch die verkehrten Herzen (Alto)

Recitative: Wer sollte sich demnach (Alto)

Aria: Mir ekelt mehr zu leben (Alto)

Johann Sebastian Bach: Geist und Seele wird verwirret, BWV 35

Part I: Concerto

Part I: Aria: Geist und Seele wird verwirret (Alto)

Part I: Recitative: Ich wundre mich (Alto)

Part I: Aria: Gott hat alles wohlgemacht (Alto)

Part II: Sinfonia

Part II: Recitative: Ach, starker Gott, lass mich (Alto)

Part II: Aria: Ich wunsche nur bei Gott zu leben (Alto)

Johann Sebastian Bach: Bekennen will ich seinen Namen, BWV 200

Bekennen will ich seinen Namen, BWV 200

Gramophone Magazine

March 2008

“In all these works, Bach employs a highly embellished organ, which Masaaki Suzuki delivers with authority. Witness more golden Blaze in the last cantata to cap a disc of especially committed and engaged performances - in a series whose quality shows no signs of letting up.”

BBC Music Magazine

February 2008

****

“Robin Blaze responds with tenderly articulated phrasing to the lyrical opening aria of Vergnügt Ruh and, as we have come to expect from these musicians, the instrumental partnership is intuitively complementary and well served by the spacious SACD acoustic.”

The Times

“The discovery of the evening was Blaze’s perfect little fragment of a solo cantata”

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