Gruber - Zeitstimmung

BIS: BISSACD1681

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Gruber - Zeitstimmung

Label:

BIS

Catalogue No:

BISSACD1681
(BIS-SACD-1681)

Discs:

1

Release date:

30th Oct 2006

Barcode:

7318599916811

Length:

78 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel

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Gruber - Zeitstimmung


Gruber, HK:

Rough Music, concerto for percussion and orchestra

Zeitstimmung for chansonnier and orchestra to texts by H.C. Artmann

Charivari

Strauss, J, II:

Perpetuum Mobile, Op. 257


Martin Grubinger (percussion) & HK Gruber (chansonnier)

Tonkünstler Orchestra, Kristjan Järvi

SACD

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It has been said about HK Gruber that "throws off labels as fast as pundits can affix them. Neo-romantic, neo-tonal, neo-expressionistic, neo-Viennese: he isn’t any of these things, so much as a sentient composer who keeps responding to whatever musical stimulus, be it highbrow or lowbrow, 12-tone or 7-tone, bitter or sweet, that comes his way."

Heinz Karl Gruber: Rough Music

I. Toberac

II. Shivaree

III. Charivari (pour Henri Sauguet, au tombeau de Monsieur le Pauvre)

Heinz Karl Gruber: Zeitstimmung (Time Shadow)

No. 1. golddrachen (gold-dragons)

No. 2. exempel der pyrofilie (an example of pyromanie)

No. 3. die zeit der fliegenden fische (the age of the flying fish)

No. 4. eine laus im uhrgehause (a louse in the watch case)

No. 5. caspar, ein meister (caspar, a master)

No. 6. wer in die holle kommt (he who lands in hell)

No. 7. der graf mit dem einglas (the count with the eyeglass)

No. 8. gewehr bei fuss (present arms)

No. 9. schnorrhabardian

No. 10. wenn du in den prater kommst (if you're going to prater fair)

No. 11. die sintflut (the deluge)

No. 12. mene tekel (the moving hand)

No. 13. fenster ins freie (the window into the open)

Johann Strauss II: Perpetuum mobile, Op. 257, "Musikalischer Scherz" (Musical Joke)

Perpetuum mobile, Op. 257, "Musikalischer Scherz" ("Musical Joke")

Heinz Karl Gruber: Charivari

Charivari

BBC Music Magazine

May 2007

****

“Gruber performs the Artmann settings himself, in a fruitily rhetorical way that evokes the Viennese cabaret of the pre-war era… Martin Grubinger's performance of the percussion concerto is just as vividly characterised.”

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