Beethoven - Piano Concertos Nos. 1 & 3 - BIS: BISSACD1692 - SACD or download

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…the playing is refreshingly alert throughout, with tempos noticeably on the fast side. — BBC Music Magazine, August 2008, 4 out of 5 stars More…

Release Date: 30th Jun 2008
Catalogue No: BISSACD1692
Label: BIS
Series: Ronald Brautigam Beethoven
Length: 67 minutes

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Beethoven: Piano Concerto No. 1 in C major, Op. 15

Work length34:29

Album only

$10.35

$14.00

Ronald Brautigam
Norrkoping Symphony Orchestra
Andrew Parrott
Recorded: May 2007
Recording Venue: Louis de Geer Concert Hall, Norrkoping, Sweden

I. Allegro con brio

Track length16:52

Album only

$5.15

$7.00

II. Largo

Track length9:30

$1.50

$2.60

$3.50

III. Rondo. Allegro

Track length8:07

$1.50

$2.60

$3.50

Beethoven: Piano Concerto No. 3 in C minor, Op. 37

Work length32:44

Album only

$9.05

$12.25

Ronald Brautigam
Norrkoping Symphony Orchestra
Andrew Parrott
Recorded: May 2007
Recording Venue: Louis de Geer Concert Hall, Norrkoping, Sweden

I. Allegro con brio

Track length15:03

Album only

$3.85

$5.25

II. Largo

Track length8:33

$1.50

$2.60

$3.50

III. Rondo. Allegro

Track length9:08

$1.50

$2.60

$3.50

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About

This is the first disc in Ronald Brautigam’s Beethoven Piano Concertos cycle; part of his ongoing cycle to record all of Beethoven’s music for solo piano. Brautigam now takes on Beethoven’s complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practice to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. As Ronald Brautigam explains in the liner notes: ‘I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up, where individual players have far more contact with the pianist than in a regular concert set-up’.

Reviews

August 2008

…the playing is refreshingly alert throughout, with tempos noticeably on the fast side.

These well-known works emerge as if freshly minted

18th July 2008

This is a recording set-up with consequences. Out the window goes the romantic 19th-century notion of the concerto as a titanic conflict between soloist and orchestra. In come intimate performances, styled almost as chamber music. In an early, Mozartean concerto like the C major, Op 15 (the first to be published, but not the first written), this scale of delivery is ideal. Brautigam’s fingering is so agile and clear that he makes you tingle in arpeggio runs; he’s equally splendid capering about, lightweight and giggly, in the rondo finale...If you want the blunt power of the old mighty Russians, Brautigam is probably not your pianist. But there’s fierce clarity here, and musical refreshment of a high order.

Beethoven - Piano Concertos Nos. 1 & 3

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