Beethoven: Piano Concertos Nos. 4 & 5

BIS: BISSACD1758

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Beethoven: Piano Concertos Nos. 4 & 5

Awards:

Gramophone Magazine

Editor's Choice - April 2011

Label:

BIS

Catalogue No:

BISSACD1758
(BIS-SACD-1758)

Discs:

1

Release date:

31st Jan 2011

Barcode:

7318599917580

Length:

69 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel
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Beethoven: Piano Concertos Nos. 4 & 5


Beethoven:

Piano Concerto No. 4 in G major, Op. 58

Piano Concerto No. 5 in E flat major, Op. 73 'Emperor'


SACD

$14.25

(also available to download from $10.00)

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After huge success with their cycle of Beethoven Symphonies on BIS, Osmo Vänskä and the Minnesota Orchestra return with the great composer’s Piano Concertos performed by the sensational young pianist Yevgeny Sudbin.

Sudbin made his début on disc with a programme of sonatas by Scarlatti, but soon continued with recordings of music by later composers from his own country of birth, Russia. He has recorded the Tchaikovsky Piano Concertos No.1, Medtner’s Concertos Nos. 1&2 and Rachmaninov No.4 2010 saw Sudbin’s return to the 18th century, with a Haydn recital that confirmed his reputation as a highly versatile musician. “Few seem as fresh and necessary as this release from this wonder pianist” The Times (5 Star review) on Sudbin’s Tchaikovsky/Medtner concertos

Opening with the composer’s final two works in the genre, Sudbin shares the stage with Minnesota Orchestra and Osmo Vänskä, a team whose Beethoven credentials are assured after their recent cycle of the nine symphonies which critics claimed to be one of the great Beethoven Cycles.

Ludwig van Beethoven: Piano Concerto No. 4 in G major, Op. 58

I. Allegro moderato

II. Andante con moto

III. Rondo: Vivace

Ludwig van Beethoven: Piano Concerto No. 5 in E flat major, Op. 73, "Emperor"

I. Allegro

II. Adagio un poco mosso

III. Rondo: Allegro

Classic FM Magazine

April 2011

***

“Vänskä's lightness of touch - a cooler Beethoven than we're accustomed to, but peppered with artfully controlled explosions - is just what's needed to get inside the enigmatic Fourth, and his 'Emperor' is refreshingly restrained.”

Gramophone Magazine

April 2011

“Sudbin makes it clear that he has little use for Beethoven weighed down, as it were, with excess baggage...Instead, his delectably light-fingered brilliance and virtuosity shines a new light on some of the most familiar scores in the repertoire...Such mercurial pianism keeps Vänskä and the Minnesota Orchestra on their toes but they follow their soloist as to the manor born.”

Financial Times

18th March 2011

****

“Sudbin brings delicacy and crystalline articulation to these concertos, creating a sense of classical grace rather than romantic scale... but his aristocratic mien and stylistic assurance...[add] a welcome degree of wit to the fourth concerto’s finale and a poise and sparkle to the Emperor...Osmo Vänskä and the Minnesota Orchestra prove equally sympathetic accompanists.”

BBC Music Magazine

April 2011

****

“The clarity of Yevgeny Sudbin's playing, and the range of keyboard colours he commands are qualities that serve him as well in Beethoven as they did in his fine Scriabin recital for BIS a few years back. He is particularly successful here in the more intimate and chamber-like Fourth Concerto...There's much to like about Sudbin's Emperor, too. The Adagio is admirably luminous”

International Record Review

April 2011

“Sudbin need not fear being heard in the context of pianists who are appreciably further on in their careers...In a crowded field [he] ranks near the top and it will be fascinating to hear how his cycle evolves over the remaining two installments. Highly recommended.”

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