Freddy Kempf plays Rachmaninov, Bach/Busoni, Ravel & Stravinsky


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Freddy Kempf plays Rachmaninov, Bach/Busoni, Ravel & Stravinsky



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Release date:

28th March 2011




63 minutes


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Freddy Kempf plays Rachmaninov, Bach/Busoni, Ravel & Stravinsky


Transcription of Bach's Partita BWV 1004: Chaconne


Variations on a theme of Corelli, Op. 42


Valses nobles et sentimentales


Three Movements from Petrushka

Freddy Kempf (piano)



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Freddy Kempf has previously recorded ten highly acclaimed solo discs for BIS, of which the latest (BISSACD1820) was described by Gramophone as “a formidable programme formidably played… This is “live” virtuosity with a vengeance, with absolutely no hint of a safety net”.

Rachmaninov’s Corelli Variations is inspired by the theme used by Corelli in his violin sonata La Follia which undergoes a radical pianistic treatment taking it through all the sonic and atmospheric possibilities offered by the instrument.

With his celebrated transcription of Bach’s Chaconne, Ferruccio Busoni had a very different aim, wanting to shed new light on the work without actually changing it.

Ravel’s collection of waltzes was composed as a nod to Schubert and in it Ravel shows the range of his musical palette.

Stravinsky’s Three movements from Petrushka is the composer’s arrangement of music from his own ballet, commissioned by Arthur Rubinstein.

Sergei Rachmaninov: Variations on a Theme of Corelli, Op. 42

Theme: Andante

Variation 1: Poco piu mosso

Variation 2: L'istesso tempo

Variation 3: Tempo di menuetto

Variation 4: Andante

Variation 5: Allegro (ma non tanto)

Variation 6: L'istesso tempo

Variation 7: Vivace

Variation 8: Adagio misterioso

Variation 9: Un poco piu mosso

Variation 10: Allegro scherzando

Variation 11: Allegro vivace

Variation 12: L'istesso tempo

Variation 13: Agitato


Variation 14: Andante (come prima)

Variation 15: L'istesso tempo

Variation 16: Allegro vivace

Variation 17: Meno mosso

Variation 18: Allegro con brio

Variation 19: Piu mosso, Agitato

Variation 20: Piu mosso

Coda: Andante

Ferruccio Busoni: Violin Partita No. 2 in D minor, BWV 1004 (arr. F. Busoni)

Violin Partita No. 2 in D minor, BWV 1004: V. Chaconne (arr. F. Busoni)

Maurice Ravel: Valses nobles et sentimentales (version for piano)

I. Modere, tres franc

II. Assez lent, avec une expression intense

III. Modere

IV. Assez anime

V. Presque lent, dans un sentiment intime

VI. Vif

VII. Moins vif

VIII. Epilogue: Lent

Igor Stravinsky: 3 Movements from Petrushka

No. 1. Danse russe (Russian Dance)

No. 2. Chez Petrouchka (Petrushka's Cell)

No. 3. La semaine grasse (The Shrove-tide Fair)

International Record Review

April 2011

“Kempf follows [Bach's] text faithfully, allowing each variation to shape the movement without sounding forced...[He] shows an impressive range of organ-like colour along with a pointillism that suits quick passages well...The scene of 'Shrove-Tide Fair' is a roller-coaster ride under Kempff's fingers, driven by a motoric energy that many pianists would find difficult to sustain over eight-and-a-half minutes.”

BBC Music Magazine

June 2011


“this is a colourful and enjoyable account [of Petrushka], well-characterised and full of dynamic of Kempf need have no qualms about acquiring this release.”

Gramophone Magazine

July 2011

“In Rachmaninov's Corelli Variations, Kempf distinguishes himself for assiduous, well-integrated tempo relationships between movements, and the easy command and intelligent, symphonically orientated delineation with which he shapes the composer's thick textures...Kempf's glittering technique, supple touch and extroverted demeanour in Stravinsky's Three Movements from Petrushka bring out the music's balletic roots”

Classic FM Magazine

July 2011


“Kempf opens with a beautifully-voiced and judiciously-paced view of Rachmaninov's Variations...he finds a meltingly silvery touch for the Ravel Valses (exquisite) before a return to the Russian repertoire that he plays so well, leaving us, thrillingly, in no doubt that the piano is a percussive instrument.”

17th June 2011

“Kempf’s command of the immense pianistic range to be found in Rachmaninov’s keyboard music clearly has few equals, and this set delivers at a stroke several jaw-dropping performances”

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