Bei dir allein!

BIS: BISSACD1844

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Bei dir allein!

Awards:

Gramophone Magazine

Editor's Choice - July 2012

Label:

BIS

Catalogue No:

BISSACD1844

Discs:

1

Release date:

26th March 2012

Barcode:

7318599918440

Length:

61 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel
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Bei dir allein!

Schubert Songs


Schubert:

Bei dir allein, D866/2

Lied der Delphine, D857 No. 1

Lied des Florio, D857 No. 2

Suleika I, D720

Suleika II, D717

An Sylvia, D891

Der Zwerg, D771 (Collin)

Geheimes, D719 (Goethe)

Heimliches Lieben D922 (Klenke)

Gretchen am Spinnrade, D118

Frühlingsglaube, D686

Im Frühling, D882

Der Sänger am Felsen, D482

Totengräbers Heimwehe D842 (Craigher)

Litanei auf das Fest Allerseelen, D343


Camilla Tilling (soprano) & Paul Rivinius (piano)

SACD

$16.50

(also available to download from $10.00)

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The Swedish soprano Camilla Tilling here performs songs by Franz Schubert, accompanied by Paul Rivinius.

The disc includes some of Schubert's best-known songs, such as the carefree An Silvia, the serene Litanei, and the first Suleika song.

The programme features great changes in emotion: from the portrayals of the joy and despair of young love in Bei dir allein! and Lied des Florio, to the Gothic drama of Der Zwerg and the despondency of Totengräbers Heimweh.

As well as having a highly successful opera career, Camilla Tilling has made a name for herself in concert and in recital. Her previous recording for BIS – the Strauss recital Rote Rosen (BISSACD1709) – was met with great critical acclaim.

Franz Schubert: 4 Refrainlieder, Op. 95, D. 866

4 Refrainlieder, Op. 95, D. 866: No. 2. Bei Dir allein

Franz Schubert: 2 Szenen aus dem Schauspiel Lacrimas, Op. 124, D. 857

I. Lied der Delphine

II. Lied das Florio

Franz Schubert: Suleika I (Was bedeutet die Bewegung), Op. 14, No. 1, D. 720

Suleika I (Was bedeutet die Bewegung), Op. 14, No. 1, D. 720

Franz Schubert: Suleika II (Ach um deine feuchten Schwingen), Op. 31, D. 717

Suleika II (Ach um deine feuchten Schwingen), Op. 31, D. 717

Franz Schubert: Gesang, Op. 106, No. 4, D. 891, "An Sylvia" (Who is Sylvia)

Gesang, Op. 106, No. 4, D. 891, "An Sylvia" (Who is Sylvia)

Franz Schubert: Der Zwerg, Op. 22, No. 1, D. 771

Der Zwerg, Op. 22, No. 1, D. 771

Franz Schubert: Geheimes, Op. 14, No. 2, D. 719

Geheimes, Op. 14, No. 2, D. 719

Franz Schubert: Heimliches Lieben, D. 922

Heimliches Lieben, D. 922

Franz Schubert: Gretchen am Spinnrade, Op. 2, D. 118

Gretchen am Spinnrade, Op. 2, D. 118

Franz Schubert: Fruhlingsglaube, Op. 20, No. 2, D. 686

Fruhlingsglaube, Op. 20, No. 2, D. 686

Franz Schubert: Im Fruhling, Op. 101, No. 1, D. 882

Im Fruhling, Op. 101, No. 1, D. 882

Franz Schubert: Der Sanger am Felsen, D. 482

Der Sanger am Felsen, D. 482

Franz Schubert: Totengrabers Heimweh, D. 842

Totengrabers Heimweh, D. 842

Franz Schubert: Am Tage aller Seelen, D. 343, "Litanei auf das Fest aller Seelen"

Am Tage aller Seelen, D. 343, "Litanei auf das Fest aller Seelen"

Sunday Times

8th April 2012

“Above all, Tilling is versatile and protean...Her soprano sounds peachier than ever, her diction is clear and her musical instincts are immaculate. This lovely singing is underpinned by Paul Rivinius’s outstanding playing of the equally important piano parts. A must for Schubertians.”

International Record Review

May 2012

“Tilling is a Swedish singer whose enchanting soprano voice and acute musical intelligence are both admirably deployed in this well-chosen selection...The opening song of the recital is the lively, exhilarating 'Bei dir allein!'...Tilling negotiates it without strain and sings it with delightful spontaneity...This is a lovely disc, a treat for all lovers of Schubert's songs.”

Gramophone Magazine

July 2012

“The al fresco exuberance of 'Bei dir allein' gets this recital off to a delectable start: Camilla Tilling's vernal tone is fresh and smiling, her phrasing both shapely and feurig, as Schubert demands, her response to mood and harmony vivid...Tilling's tonal radiance and free-soaring top notes are priceless assets...a Schubert recital of rare pedigree.”

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