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In a very short time, Yannick Nézet-Séguin has become one of the most sought-after young conductors in the world, popular with orchestras and audiences alike. Recently named as Music Director Designate of the Philadelphia Orchestra, he succeeded Valery Gergiev as Music Director of the Rotterdam Philharmonic Orchestra in 2008. He is also Chief Guest Conductor of the London Philharmonic Orchestra.
On this the second of four projected discs for BIS, the Rotterdam Philharmonic here perform two of Richard Strauss’ most popular works: The tone poem Ein Heldenleben (A Hero’s Life) has often been described as an autobiographical work. The six interwoven sections describe themes of hope, love and courage, with a scherzo that mocks the hero’s enemies and a final climax that sees the hero withdraw from the world fulfilled.
The Four Last Songs were the last works that Strauss composed before his death in 1949, and throughout the works, the pervading mood is one of death and transience. The Rotterdam Orchestra are here joined by Dorothea Röschmann, who has built a reputation on the opera stage as one of the most admired present interpreters of Mozart and of lieder.
Richard Strauss: Ein Heldenleben (A Hero's Life), Op. 40, TrV 190
Der Held (The Hero)
Des Helden Widersacher (The Hero's Enemies)
Des Helden Gefahrtin (The Hero's Companion)
Des Helden Walstatt (The Hero's Field of Battle)
Des Helden Friedenswerke (The Hero's Works of Peace)
Des Helden Weltflucht und Vollendung (The Hero's Withdrawal from the World)
Richard Strauss: 4 Letzte Lieder (4 Last Songs), TrV 296
No. 1. Fruhling (Spring)
No. 2. September
No. 3. Beim Schlafengehen (At Bedtime)
No. 4. Im Abendrot (In the Evening Glow)
2nd July 2011
“This suave and efficient Strauss disc shows why Yannick Nézet-Séguin has rocketed to the first division of the conducting league.”
“the gossamer textures of the Hero's 'War and Peace'...work best here, the bassoon stylishly leading the superb Rotterdam woodwind. The final retirement is gilded by a glorious horn solo...[Roschmann's] fast vibrato is offset by luminosity and soaring beauty...there's always understanding of the text, and the sunset epilogue, well accompanied by the orchestra, is moving.”
11th August 2011
“The multiple ironies of Heldenleben are superbly caught, though the emotional kernel of his interpretation lies in a sexy account of the central love scene and his touchingly beautiful treatment of the finale. The orchestral sound is lean and sinewy...[Röschmann's] voice lacks a little of its former lustre, though you can hear every word – and hear it given meaning.”
“Dorothea Röschmann has a deliciously supple and textured soprano that finds glorious colours here”
Awards Issue 2011
“Nézet-Séguin's portrait of the "Hero's adversaries" is piquant rather than ironically adversarial...[Four Last Songs are] gloriously sung by Dorothea Roschmann, who has a truly lovely voice, and is most sensitively accompanied...Even among many illustrious names, there is no finer recorded performance.”