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BIS present two works composed by Sergei Rachmaninov, featuring virtuoso pianist Yevgeny Sudbin alongside the Singapore Symphony Orchestra under Lan Shui.
Rachmaninov composed Rhapsody on a Theme of Paganini after a seven-year silence, and consists of 24 variations taken from Paganini’s 24th Caprice for solo violin.
The Rhapsody was soon followed by his Third Symphony. Its themes have a marked Russian character used with great subtlety.
Lan Shui and his Singapore Symphony Orchestra here follow their acclaimed 2008 recording of Rachmaninov’s Symphony No.2 (BISSACD1712).
The discography of Yevgeny Sudbin includes a Rachmaninov solo recital (BISSACD1518), and a recording of the Fourth Piano Concerto (BISSACD1728).
Sergei Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43
Introduction: Allegro vivace
Variation 1: Precedente
Theme: L'istesso tempo
Variation 2: L'istesso tempo
Variation 3: L'istesso tempo
Variation 4: Piu vivo
Variation 5: Tempo precedente
Variation 6: L'istesso tempo
Variation 7: Meno mosso, a tempo moderato
Variation 8: Tempo I
Variation 9: L'istesso tempo
Variation 10: Poco marcato
Variation 11: Moderato
Variation 12: Tempo di minuetto
Variation 13: Allegro
Variation 14: L'istesso tempo
Variation 15: Piu vivo scherzando
Variation 16. Allegretto
Variation 17: (Allegretto)
Variation 18: Andante cantabile
Variation 19: A tempo vivace
Variation 20: Un poco piu vivo
Variation 21: Un poco piu vivo
Variation 22: Un poco piu vivo (Alla breve)
Variation 23. L'istesso tempo
Variation 24: A tempo un poco meno mosso
Sergei Rachmaninov: Symphony No. 3 in A minor, Op. 44
I. Lento - Allegro moderato
II. Adagio ma non troppo
5th April 2012
“Sudbin’s playing has terrific presence in this recording of Rachmaninov’s Paganini Rhapsody. The blend of personality and stylistic perception that marks Sudbin’s live performances is also manifest here. He plays with passion, drive, dexterity, discretion and dynamism...This is a top-flight, richly enjoyable performance”
“This, as you would expect from Subdin, is a performance rich in detail and immaculately executed; furthermore, from the outset the ear is immediately taken by the superb sound quality”
“Subdin, clearly on top form, treats Rachmaninov's variations like a set of diabolical virtuoso etudes, displaying transcendental virtuosity and kaleidoscopic keyboard colour. Sudbin nevertheless plays with all the necessary intimacy and sense of Romantic feeling in the lyrical sections...The Singapore Symphony accompanies perfectly, adding considerably to the colour and atmosphere of the work.”