London Calling


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London Calling



Catalogue No:




Release date:

28th May 2012




76 minutes


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London Calling


Concerto grosso Op. 6 No. 4 in D major

Geminiani, F:

Concerto grosso after Corelli, No. 12 in D minor 'La Folia'


Hercules: Where shall I fly?

As With Rosy Steps (from Theodora)

Hercules: Sinfonia

Amadigi di Gaula: Sinfonia

Act 1 & 3

Amadigi di Gaula: Vado, corro

Amadigi di Gaula: T’amai

O rendetemi il mio bene (from Amadigi)

Sento la gioia (Amadigi)


Sonata in A major for violin and continuo, Op. 2 No. 9

Tuva Semmingsen (mezzo-soprano)




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Young Norwegian mezzo-soprano Tuva Semmingsen displays both vocal agility and a wide-ranging emotional range in a disc of arias from Handel.

The disc unveils a portrait of Handel: his emergence in the early Italian-styled Amadigi, reaching maturity in the ‘English operatic’, and arriving finally in the perennial melodic grace of Theodora.

These works interspersed with instrumental works by Handel’s Italian contemporaries. Corelli and Geminiani, played by Norwegian period band Barokksolistene.

George Frideric Handel: Amadigi di Gaula, HWV 11


Act II: Aria: T'amai, quant'il mio cor

Act I: Aria: Vado, corro al mio tesoro

Arcangelo Corelli: Concerto Grosso in D major, Op. 6, No. 4

I. Adagio - Allegro

II. Adagio

III. Vivace - Allegro - Allegro

George Frideric Handel: Hercules, HWV 60

Act III: Sinfonia

Act III: Accompagnato: Where shall I fly?

Francesco Maria Veracini: Sonate accademiche in A major, Op. 2, No. 9

I. Allegro moderamente

II. Adagio

III. Scozzese: Un poco andante ed affettuoso - Largo - Un poco andante ed affettuoso

George Frideric Handel: Theodora, HWV 68

Theodora, HWV 68, Act I: Air: As with rosy steps

Francesco Geminiani: Concerto Grosso No. 12 in D minor (after Corelli's Sonata, Op. 5, No. 12, "La Follia")

Concerto Grosso in D minor (after Corelli's Sonata, Op. 5, No. 12, "La Follia")

George Frideric Handel: Amadigi di Gaula, HWV 11

Act I: Aria: O rendetemi il mio bene

Act III: Sinfonia

Act III: Aria: Sento la gioia

Financial Times

4th August 2012

“Some of these world versions of classic London songs bear repeated listening and all are good fun”

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