Usually despatched in 2 - 3 working days. (Available now to download.)
With her Mimì, she conquered the world. Mirella Freni’s extraordinary career lasted for over 30 years, and she never lost the enchanting youthfulness of her voice. She said farewell to the operatic stage in 2005 as a celebrated soprano in full possession of her vocal skills. Recordings from three Sunday concerts by the Münchner Rundfunkorchester document Mme. Freni in arias that reveal the many different facets of her artistry. The program ranges from her key role, Mimì, all the way to Tatyana in Tchaikovsky’s Evgeny Onegin.
Previously unreleased recordings by Mirella Freni.
Documents from the popular Sunday concerts by the Münchner Rundfunkorchester from the 1970s and 80s.
Francesco Cilea: Adriana Lecouvreur
Adriana Lecouvreur, Act I: Io son l'umile ancella
Giacomo Puccini: La boheme
La boheme, Act I: Si. Mi chiamano Mimi
La boheme, Act II: Quando me'n vo'
Giacomo Puccini: Tosca
Tosca, Act II: Vissi d'arte
Giacomo Puccini: Turandot
Turandot, Act III: Tu, che di gel sei cinta
Georges Bizet: Carmen
Carmen, Act III: Recitative: C'est des contrebandiers le refuge ordinaire
Jules Massenet: Manon
Manon, Act II: Adieu, notre petite table
Giuseppe Verdi: Aida
Aida, Act I: Ritorna vincitor
Wolfgang Amadeus Mozart: Le nozze di Figaro (The Marriage of Figaro), K. 492
Le nozze di Figaro (The Marriage of Figaro), K. 492, Act III: Recitativo and Aria: E Susanna non vien! … Dove sono i bei momenti
Pyotr Il'yich Tchaikovsky: Eugene Onegin, Op. 24 (Sung in German)
Eugene Onegin, Op. 24, Act I: Puskai pogibnu ya, no pryezhde, "Letter Scene" (Sung in German)