“The pre-Bach keyboard composers featured in this program share an improvisatory sensibility and sense of playfulness that not only lend themselves to a modern concert grand but also can absorb Andrew Rangell's freewheeling temperament and dynamic, big-boned pianism. His opening selection, Orlando Gibbons' Lord of Salisbury Pavane and Galliard, conveys a three-dimensional, theatrical effect that completely differs from Glenn Gould's x-ray clarity and astringent textures in the same work.”
Click on any of the works listed above for alternative recordings.
