Blacher: Der Grossinquisitor, Op. 21

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this is generally a great and stirring work which commands the attention of the listener throughout. Brilliant Classics are to be congratulated in making it available at such a reasonable price... — MusicWeb International, 27th August 2013 More…

Release Date: 20th May 2013
Catalogue No: 9437
Label: Brilliant Classics
Length: 59 minutes

Usually despatched in 3 - 4 working days

Blacher: Der Grossinquisitor, Op. 21

Work length59:25

$14.00

$18.20

Siegmund Nimsgern
Leipzig Radio Choir, Dresdner Philharmoniker
Herbert Kegel

Pt. I: Nach seiner unendlichen Barmherzigkeit (Choir)

Track length3:32

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$1.30

Pt. I: Unmerklich und leise kommt er daher (Choir)

Track length4:22

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$1.30

Pt. I: Aus der Menge tont es laut (Choir)

Track length2:33

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Pt. I: Die stufen des Doms von Sevilla (Choir)

Track length6:20

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Pt. I: Da schreitet plotet plotzlich uber den weiten Platz (Choir)

Track length4:25

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$1.30

Pt. I: All marcia

Track length0:42

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$1.30

Pt. I: Einmutig wie von gleichem Willen gelenkt (Choir)

Track length1:55

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$1.30

Pt. II: Langsam neigt sich der Tag (Choir)

Track length2:51

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$1.30

Pt. II: Bist Du es wirklich (Baritone)

Track length4:59

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Pt. II: Der furchtbare sind es allein (Baritone, Choir)

Track length5:42

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Pt. II: Drei Machte sind es allein (Baritone, Choir)

Track length6:18

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Pt. II: So hore denn (Baritone, Choir)

Track length3:24

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Pt. II: Du ruhmst Dich Deiner Auserwahlten (Baritone, Choir)

Track length5:50

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Pt. II: Wisse denn, ich furchte Dich nicht (Baritone, Choir)

Track length6:32

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About

Boris Blacher’s oratorio, Der Großinquisitor, was only half finished in 1943. Having found himself in truly dire straits – forced to withdraw from musical life thanks to his inclusion on the Nazi register of Jews in music, and hit by a particularly nasty relapse of tuberculosis – it took the friendship and hospitality of his pupil, Gottfried von Einem, to help him regain his health and confidence, and finish the oratorio.

The text is based on Dostoyevsky’s novel, The Brothers Karamazov, illustrating Jesus’s return to earth in 16th‐century Seville. The depiction of the heretics burned to the glory of God could not be a clearer reflection of the fate of the Jews at the hands of the Nazis. Distinct from the other works in Blacher’s oeuvre thanks to its seriousness and tonal harmony, Der Großinquisitor also contains elements that are typical of the composer’s style, such as terse rhythms and seemingly aimless melodic lines.

The role of the Inquisitor is sung by German bass‐baritone, Siegmund Nimsgern, who has enjoyed an international career as an opera singer, performing with the Royal Opera (London), Metropolitan Opera (New York) and the Vienna State Opera, among others. Alongside him is the Rundfunkchor Leipzig and Dresdner Philharmonie, conducted by Herbert Kegel.

Recorded in May 1986 at the Lukaskirche in Dresden.

Contains liner notes on the work.

Sung texts includes in booklet.

Reviews

27th August 2013

this is generally a great and stirring work which commands the attention of the listener throughout. Brilliant Classics are to be congratulated in making it available at such a reasonable price - and so well presented, too.

Blacher: Der Grossinquisitor, Op. 21

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