Schumann: Complete Secular Choral Music

Brilliant Classics: 94383

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Schumann: Complete Secular Choral Music

Catalogue No:

94383

Discs:

4

Release date:

28th Aug 2012

Barcode:

5028421943831

Medium:

CD

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Schumann: Complete Secular Choral Music


Schumann:

Bei Schenkung eines Flügels

Beim Abschied zu Singen, Op. 84: Es ist bestimmt in Gottes Rat

Der deutscher Rhein

Vier doppelchörige Gesänge, Op. 141

Drei Gedichte, Op. 29

Die rote Hanne, Op. 31 No. 3

Vier Gesänge, Op. 59

Glockenturmers Tochterlein (The bell ringer's daughter), Op.post

Jagdlieder (5), Op. 137

Drei Lieder Op. 62

Funf Lieder, Op. 55

Sechs Lieder Op. 33

Drei Lieder für drei Frauenstimmen mit Begleitung des Pianoforte Op. 114

Weihnachtslied Op. 79/17

Frühlingsgruss Op. 79/4

Drei Männerchöre aus dem Revolutionsjahr 1848

Ritornelle Op. 65

Romanzen für Frauenstimmen Heft I, Op. 69

Romanzen für Frauenstimmen mit willkürlicher Begleitung des Pianoforte Heft II Op. 91

Romanzen und Balladen für Chor Heft II, Op. 75

Romanzen und Balladen für Chorgesang Heft III, Op. 145

Romanzen und Balladen für Chorgesang Heft IV, Op. 146

Romanzen und Balladen für Chor Heft I, Op. 67

Schumann, Clara:

Gemischte Chore (3)


Studio Vocale Karlsruhe & Renner Ensemble, Werner Pfaff

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Spanning four CDs and featuring many a rousing performance, this release is dedicated to a fascinating yet largely unexplored facet of Robert Schumann’s output: his secular choral music. Written during the period 1840–50 and scored for men’s, women’s and a variety of mixed voices (with or without accompaniment), the music draws on a rich choice of texts by poets such as Rückert and Burns.While some of the early songs are humoristic in character, many of the later ones – including the Drei Männerchöre – are politically oriented, reflecting the revolutionary spirit of their age.

The works also represent a veritable lesson in different types of choral texture; Schumann was able to try out many of these on the two amateur groups he was in charge of directing. From the colourful use of solo voices in Drei Gedichte Op.29 to the unusual intertwining of two choruses in Vier doppelchörige Gesänge Op.141, the compilation reveals a composer intent on pushing boundaries.

That Schumann regarded choral music as an essential part of his oeuvre is revealed in various letters of the period, and yet the scepticism with which many of these late works have been greeted – due, in part, to the composer’s concurrent mental decline – has done little to increase their popularity. Highly accessible and often profoundly affecting, they deserve to be performed more often; with Schumann’s melodic and dramatic genius in full evidence, these committed readings are a must-have for both the Romantic enthusiast and choral music aficionado.

Click on any of the works listed above for alternative recordings.

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