Maria Yudina Plays JS Bach, Beethoven, Brahms & Liszt

Brilliant Classics: 94398

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Maria Yudina Plays JS Bach, Beethoven, Brahms & Liszt

Catalogue No:

94398

Discs:

3

Release date:

10th Sept 2012

Barcode:

5028421943985

Medium:

CD

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Maria Yudina Plays JS Bach, Beethoven, Brahms & Liszt


Bach, J S:

Chromatic Fantasia & Fugue in D minor, BWV903

Prelude & Fugue Book 1 No. 24, BWV869

Prelude & Fugue Book 1 No. 20 in A minor, BWV865

Prelude & Fugue Book 1 No. 19 in A major, BWV864

Prelude & Fugue Book 1 No. 23 in B major, BWV868

Prelude & Fugue Book 1 No. 21 in B flat major, BWV866

Prelude & Fugue Book 1 No. 22 in B flat minor, BWV867

Sonata for Violin & Harpsichord No. 3 in E major, BWV1016

with Marina Kozolupova (violin)

Beethoven:

Piano Sonata No. 5 in C minor, Op. 10 No. 1

Piano Sonata No. 32 in C minor, Op. 111

Brahms:

Rhapsodies (2), Op. 79

Liszt:

Prelude and Fugue in a minor, BWV 543 (J.S. Bach), S. 462/1

Variations on a theme from 'Weinen, Klagen, Sorgen, Zagen' (J S Bach) for piano, S180


Maria Yudina (piano)

CD - 3 discs

Normally: $13.00

Special: $9.10

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Maria Yudina was one of the greatest pianists of 20th century Russia. Uncompromising, sometimes ruthless playing characterised this enigmatic pianist, a sufferer of the Soviet regime. Sviatoslav Richter once asked her: “Why do you play this Bach prelude so loud?” her answer: “Because there is a war on!” The selection on this 3-CD set includes works by her beloved Bach, her magnificent Beethoven (Opus 111!), Liszt, and wonderfully tender Brahms Intermezzi.

One of the few artists openly opposed to the Soviet leadership, Maria Yudina today ranks among the greatest musicians of her age. A phenomenal pianist who is particularly remembered for the virtuosity, spirituality and intellectual rigour of her playing, she prized Bach above all, as did all the Great Russian pianists of her day, but ventured far forward into the music of her own time, and was friends with many dissident artists and composers.

Stalin famously had a soft spot for her Mozart playing; it is thought that this is what prevented her and her troublesome opinions from being dragged off to the gulag. But here we have the ‘Three Bs’: the central-German repertoire to which Yudina always returned and had so much to contribute in the way of iron-fingered discipline over matters of tempo and phrasing and yet an unquenched search for the matter behind the music.The set takes its cue from a thrilling, unyielding Chromatic Fantasy and concludes with some artless yet heartfelt encores of Schubert. In an age of hype, there will always be room for Maria Yudina.

MusicWeb International

April 2013

“I found listening to her recordings an intense experience full of pleasure and of awe at her abilities. The two Beethoven sonatas nos. 5 and 32 are full of brilliance which highlights her aim of serving the composer and their music before anything else.”

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