Sviatoslav Knushevitsky Edition

Brilliant Classics: 8924

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Sviatoslav Knushevitsky Edition


Gramophone Magazine

Re-issue of the Month - April 2010

Catalogue No:




Release date:

23rd Nov 2009





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Sviatoslav Knushevitsky Edition


Trio for violin, cello & piano in F-sharp minor


String Sextet in D minor


Cello Sonata No. 1 In E Minor, Op. 38 (Allegretto quasi menuetto)


String Quintet Op.39


Cello Sonata in A minor, Op. 36 (Andante)


Four London Trios

Hummel, J:

Septet in D minor Op. 74


Cello Concerto in E minor


Cello Sonata No. 1 in D major, Op. 12


Cello Concerto in C


Cello Sonata in G minor, Op. 19


Cello Concerto No. 1 in A minor, Op. 33


Piano Trio No. 2 in F major, Op. 80


Variations on a Rococo Theme, Op. 33

Sviatoslav Knushevitsky (cello), David Oistrakh (violin), Rudolf Barshai (viola), Alexander Goldenweiser (piano), Arno Babadzhanian (piano) & Lev Oborin (piano)

Moscow Symphony Orchestra, Alexander Gauk

CD - 5 discs

Normally: $17.75

Special: $12.42

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One of the great names of 20th century Russian musical life.

Four cello concertos, sonatas, trios, and other chamber works feature in this set.

Knushevitsky is accompanied by artists such as Lev Oborin, David Oistrakh, Alexander Goldenweiser (a pupil of Arensky and a friend of Tolstoy).

The recording of the Khachaturian concerto is that of the first performance.

Extensive booklet essay by Ates Orga.

Born in 1908, Knushevitsky studied at the Moscow Conservatory with Semyon Kozolupov. He was senior to Rostropovitch and Shafran, and he graduated with a gold medal the same year as Emil Gilels took the piano honours. Joining the Bolshoi Theatre orchestra in 1929, he remained their principal cello until 1943. In 1940 he co founded one of the most famous piano trios of all time with David Oistrakh and Lev Oborin. Knushevitsky’s jet-setting life style eventually (along with his alcohol dependency) to its toll, and he suffered a heart attack, which killed him, aged 55 in 1963. Gliere, Khachaturian and Miaskovsky all wrote concertos for him, and his repertoire embraced not only the mainstream , but contemporary and rarer works such as the Strauss sonata and the Reger Suites, plus an extensive array of crowd pleasing encores such as Chopin’s op.25 C sharp minor etude ‘left hand’, transcribed by Glazunov.

His style of playing was lyrical, and had great emotional depth. Had he not succumbed to drink he would have challenged Rostropovich as the pre-eminent Russian cellist of the 20th century. As it is his reputation is considerable, and this 5CD collection allows the listener to experience his remarkable music-making.

Click on any of the works listed above for alternative recordings.

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