Flos virginum: Motets of the 15th Century

CPO: 7779372

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Flos virginum: Motets of the 15th Century

Label:

CPO

Catalogue No:

7779372

Discs:

1

Release date:

25th Sept 2015

Barcode:

0761203793723

Length:

62 minutes

Medium:

SACD (download also available)

Format:

Hybrid Multi-channel

Early Music

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Flos virginum: Motets of the 15th Century


anon.:

Anima mea liquefacta est

O propugnator

Ave mundi spes - In Gottes Namen

Dies est laetitiae

O beata infantia

Advenisti desiderabilis

Christus surrexit

Brassart:

O rex Fridrice - In tuo adventu

Dufay:

Missa Sancti Georgii: Alleluia

Martini, Johannes:

Flos virginum


David Erler (counter-tenor)

Stimmwerck

SACD

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(also available to download from $10.00)

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Here, Stimmwerck, the ingenious German vocal quartet, sets out on exciting and unknown paths of European musical history. The recording, featuring late medieval motets and songs by Brassart, Martini, Roullet and anonymous composers from various manuscript sources, offers an in-depth cross section of early vocal music in which the joie de vivre and profound piety of that epoch are uniquely experienced.

Johannes Brassart: O rex Fridrice – In tuo adventu

O rex Fridrice - In tuo adventu

Johannes Touront: O florens rosa

O florens rosa

Anonymous: Anima mea liquefacta est

Anima mea liquefacta est

Johannes de Sarto: Romanorum rex

Romanorum rex

Johannes Martini: Flos virginum

Flos virginum

Anonymous: O propugnator

O propugnator

Johannes Puillois: Flos de spina

Flos de spina

Anonymous: Ave mundi spes - In Gottes Namen

Ave mundi spes - In Gottes Namen

Guillaume Dufay: Missa S. Georgii

Alleluia [Missa S. Georgii]

Anonymous: Dies est letitie

Dies est letitie

Anonymous: O beata infantia

O beata infantia

Ludovicus Krafft: Novus annus

Novus annus

Johannes Roullet: Laus tibi

Laus tibi

Anonymous: Advenisti desiderabilis

Advenisti desiderabilis

Ludovicus Krafft: Terribilis est

Terribilis est

Anonymous: Christus surrexit

Christus surrexit

Gramophone Magazine

October 2015

“Stimmwerck's approach is refreshingly straightforward: these are considered, elegantly executed interpretations, delivered without frills - demonstration, if any were needed, that all that this music requires is that it be sung well. The carol-like Novus annus, for example, is immediately engaging, the quartet's bright timbre complementing its lilting loveliness.”

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