Handel: Apollo e Dafne, HWV 122, etc.

Chandos: CHAN0583

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Handel: Apollo e Dafne, HWV 122, etc.

Label:

Chandos

Catalogue No:

CHAN0583
(CHAN 0583)

Series:

Chaconne

Discs:

1

Release date:

1st Aug 1995

Barcode:

0095115058329

Length:

57 minutes

Medium:

CD (download also available)
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Handel:

Apollo e Dafne, HWV 122

Crudel tiranno Amor, HWV97


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George Frideric Handel: Apollo e Dafne, HWV 122

playI. Recitative: La terra e liberata! (The earth is freed!) (Apollo)

playII. Aria: Pende il ben dell'universo (The well-being of the universe) (Apollo)

playIII. Recitative: Ch'il superbetto Amore (Let proud little Cupid) (Apollo)

playIV. Aria: Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)

playV. Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)

playVI. Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)

playVII. Aria: Ardi, adori, e preghi in vano (You desire, adore and beseech in vain) (Dafne)

playVIII. Recitative: Che crudel! (How cruel!) (Apollo, Dafne)

playIX. Duet: Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)

playX. Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)

playXI. Aria: Come rosa in su la spina (Like the rose on its stem) (Apollo)

playXII. Recitative: Ah! ch'un Dio non dovrebbe (Ah! A God should love nothing) (Dafne)

playXIII. Aria: Come in ciel benigna stella (As Neptune's star in heaven) (Dafne)

playXIV. Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)

playXV. Duet: Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)

playXVI. Recitativo: Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)

playXVII: Aria: Mie piante correte (My feet run) (Apollo)

playXVIII: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)

George Frideric Handel: Crudel tiranno amor, HWV 97

playI. Aria: Crudel tiranno Amor (Cruel tyrannous Love)

playII. Recitative: Ma tu mandi al moi core (But you send my heart)

playIII. Aria: O dolce mia speranza (O my sweet hope)

playIV. Recitative: Senza te, dolce speme (Without you, sweet hope)

playV. Aria: O cara speme del mio diletto (O dear hope of my delight)

Gramophone Classical Music Guide

2010

“Handel's Apollo e Dafne is a difficult work to put in context. Completed in Hanover in 1710 but possibly begun in Italy, its purpose isn't clear, while, as secular cantatas go, it's long (40 minutes) and ambitiously scored for two soloists and an orchestra of strings, oboes, flute, bassoon and continuo. But this isn't just a chunk of operatic experimentation: it sets its own, faster pace than the leisurely unfolding of a full-length Baroque stage-work, yet its simple Ovidian episode, in which Apollo's pursuit of the nymph Dafne results in her transformation into a tree, is drawn with all the subtlety and skill of the instinctive dramatic genius that Handel was.
This recording features the expert Handelian voices of Nancy Argenta and Michael George, and both convey their roles convincingly. Argenta's hard, clear tone seems just the thing for the nymph, who isn't required to be especially alluring but who does have to sound quick to anger and (literally) untouchable; and George strikes the right note as Apollo, bragging loudly at the opening of his superior skill in archery to Cupid before succumbing more gently, and in the end extremely touchingly, to Cupid's arts. The orchestra is bright and efficient, and the pacing of the work seems just right. This is superb Handel then, and, as if that were not enough, there's a bonus in the form of a shorter cantata for soprano and strings, Crudel tiranno amor. It's a beautiful piece indeed, and Argenta performs it perfectly.”

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