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Chandos signed Karen Geoghegan as an exclusive artist in 2007 following her wonderful performances on the BBC TV ‘Classical Star’ programme. This is her fourth recording with the label, following her CD of works by Hummel, Weber, Berwald, Jacobi, Elgar and Gershwin, her CD of French music for bassoon and piano, and her contribution, in the Suite-Concertino in F major, to Noseda’s Wolf-Ferrari CD. All of these received much acclaim, and the expressive maturity and sensitivity of her playing have quickly cemented her status as a rising star:
‘Name five internationally famous bassoon soloists. Archie Camden, Gwydion Brooke and, er, that’s it. Except I think we shall soon be adding the name of Karen Geoghegan to the roll call…’ Gramophone
Wolfgang Amadeus Mozart: Bassoon Concerto in B flat major, K. 191
I. Allegro
II. Andante ma adagio
III. Rondo: Tempo di menuetto
Gioachino Rossini: Bassoon Concerto
I. (Allegro)
II. Largo
III. (Rondo)
Conradin Kreutzer: Fantasie
I. Introducttion, Theme, Variations I-II
II. Variation III
III. Polacca
Bernhard Henrik Crusell: Bassoon Concertino in B flat major
I. Allegro brillante - Poco adadio
II. Theme and Variations: Allegro moderato
III. Polacca
November 2010
“The instrument is precisely focused and the fineness of her playing shows her to be a musician of cultivated taste and sensibility...Geoghegan arrests attention immediately.”
7th November 2010
***
“[Geoghegan] is a player of formidable dexterity, with an expressive top register and resonant bottom notes, as she shows in these four works.”
December 2010
*****
“Geoghegan delivers phenomenal brilliance and precision at top speed...And in the quiet moments, like the slow movement of Mozart's concerto, Geoghegan's lyrical playing has beautiful grace and musicianship. Responding in style, Noseda and the BBC Philharmonic contribute alert and attractive accompaniments.”
December 2010
“It's quite rare for bassoonists to have the opportunity to perform and record their repertoire, particularly one so young, but Geoghegan is amply repaying the faith Chandos obviously has in her. This disc continues the fairy-tale outcome for Geoghegan and her Cinderella instrument of the orchestra and is worth exploring, particularly for the rarer repertoire.”
Click on any of the works listed above for alternative recordings.
I. Allegro
