Great Operatic Arias 21 - Cheryl Barker

Chandos: CHAN3161

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Great Operatic Arias 21 - Cheryl Barker

Label:

Chandos

Catalogue No:

CHAN3161

Discs:

1

Release date:

1st Sept 2009

Barcode:

0095115316122

Length:

67 minutes

Medium:

CD (download also available)
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Great Operatic Arias 21 - Cheryl Barker

Sung in English


Boito:

L'altra notte in fondo al mare (from Mefistofele)

Sung in English as ‘To the moonlit waves they cast him’

Catalani:

Ebben? Ne andrò lontana (from La Wally)

Sung in English as ‘I’ll float into the distance’

Cilea:

Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur)

Sung in English as 'See now, I am exhausted…I am the humble servant of God’s immortal art’

Poveri fiori (from Adriana Lecouvreur)

Sung in English as 'Poor little flowers'

Heggie:

Nineteen forty-four. March. May. June. (from The End of the Affair)

William Dazeley (Maurice)

Leoncavallo:

Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci)

Sung in English as 'His eyes were flashing with anger...Through the air they soar’

E fra quest'ansie... E allor perchè (I Pagliacci)

Sung in English as ‘My fate is in your hands...Then will you say why you have enslaved me?’

William Dazeley (Silvio)

Strauss, R:

Er ist der Richtige nicht für mich … Aber der Richtige, wenn's einen gibt für mich (from Arabella)

Sung in English as 'He’s not the one who is right for me’

Gillian Keith (Zdenka)

Das war sehr gut, Mandryka (from Arabella)

Sung in English as 'I’m very glad, Mandryka’

William Dazeley (Mandryka)

Tchaikovsky:

Uzh polnoch' blizitsya (from Pique Dame)

Sung in English as 'You need not close the windows just yet...Oh why am I so tearful?’

Gillian Keith (Masha)

Williamson:

How can I explain to you? (from The Violins of Saint-Jacques)


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Following her superb Katya in Katya Kabanova, her Emilia Marty in The Makropulos Case, recorded live at the London Coliseum, and her Butterfly for Chandos Opera in English, we were delighted to have enticed Cheryl Barker into our studios to record these thrilling samples of her dramatic artistry in music both familiar and fresh.

The repertoire chosen for the solo disc includes works, actually performed by her on stage, as well as arias Cheryl has always enjoyed listening to.

‘There were two arias that I was very keen to include one was the scene from The End of the Affair by the brilliant American composer Jake Heggie. I premiered the role of Sarah in Houston and I think this scene is dramatic and fantastically composed. I am very proud to have recorded the aria Each Afternoon from the Violins of St Jacques by Malcolm Williamson, a fellow Australian. It is very atmospheric with its simply vocal line. I have also included some popular arias and some repertoire performed by Dame Joan Hammond with whom I studied with as a student.’

‘As an English speaker, performing these arias in English means that I can relay the emotions of the arias in my native language and I think it is interesting to an English speaking audience to hear the arias in their native tongue. Also, it is important to have an accurate translation of the original text and I think in these arias we have that.’

Francesco Cilea: Adriana Lecouvreur

playAdriana Lecouvreur: Vedi ora, sono esauriti (Sung in English)

Pyotr Il'yich Tchaikovsky: The Queen of Spades, Op. 68

playThe Queen of Spades, Op. 68, Act I: You need not close the windows just yet

Ruggero Leoncavallo: Pagliacci

playAct I: Stridono lassu, liberamente

playAct I: Nedda! … Silvio! A quest'ora che imprudenza!

Arrigo Boito: Mefistofele

playMefistofele, Act IV: The Night of the Classical Sabbath: La luna immobile innonda (Sung in English)

Jake Heggie: The End of the Affair

playThe End of the Affair: A Bargain and a Prayer

The Queen of Spades, Op. 68

playThe Queen of Spades, Op. 68, Act III: It's nearly midnight now

Richard Strauss: Arabella, Op. 79, TrV 263

playArabella, Op. 79, TrV 263, Act I: Er ist der Richtige nicht fur mich (Sung in English)

Adriana Lecouvreur

playAdriana Lecouvreur, Act IV: Poveri fiori … (Sung in English)

Malcolm Williamson: The Violins of Saint-Jacques

playThe Violins of Saint-Jacques: How can I explain to you

Alfredo Catalani: La Wally

playLa Wally, Act I: Ebben? Ne andro lontana (Sung in English)

Arabella, Op. 79, TrV 263

playArabella, Op. 79, TrV 263, Act III: Das war sehr gut, Mandryka (Sung in English)

BBC Music Magazine

December 2009

“Anguish… the keynote, coming across best in Margarita's prison aria from Boito's Mefistofele and Lisa's midnight soliloquy in Tchaikovsky's Queen of Spades.”

Gramophone Magazine

Awards Issue 2009

“Cheryl Barker is always clean in her placing of notes and clear in her articulation of the English words. …sometimes (as in the opening of the Arabella-Mandryka duet) she sings quite beautifully. …William Dazeley (surely one of our best baritones) has an attractive timbre, heard pleasingly throughout. David Parry's speeds tend to be a little too slow for my liking but the orchestral playing refined and responsive.”

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Click on any of the works listed above for alternative recordings.

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