“A quartet for string orchestra! That sounds strange to you. I already know all the objections that will be raised: ruination of intimacy, of individuality. But that is an error. What I intend is only an ideal representation of the quartet. Chamber music is primarily written for the living room. It is really enjoyed only by the performers. The four ladies and gentlemen who sit at their music stands are also the audience towards which this music turns. If chamber music is transferred to the concert hall, this intimacy is already lost. But even more is lost. In a large space the four voices are lost and do not speak to the listener with the power that the composer wanted to give them. I give them this power by strengthening the voices. I unravel the expansion that is dormant in the voices and give the sounds wings.” Thus Mahler in an open letter in the Viennese newspaper Die Wage in January 1899. (from: liner notes by Willem de Bordes)
Adagietto From Symphony No. 5 In C Sharp (1901-1902)
Beethoven String Quartet No. 11 Opus 95 Arr. Mahler (1899) - Allegro Con Brio
Beethoven String Quartet No. 11 Opus 95 Arr. Mahler (1899) - Allegretto Ma Non Troppo
Beethoven String Quartet No. 11 Opus 95 Arr. Mahler (1899) - Allegro Assai Vivace Ma Serioso
Beethoven String Quartet No. 11 Opus 95 Arr. Mahler (1899) - Larghetto Espressivo * Allegro Agitato * Allegro
Adagio From Symphony No. 10, Arr. H. Stadlmair (1971)
December 2011
****
“Nice performances, stunning recording.”
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