Luca Antignani: Azulejos

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Release Date: 13th Oct 2017
Catalogue No: CC777721
Label: Continuo Classics
Length: 72 minutes

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Antignani: Trio del sogno e del gabbiano

Work length11:00

Claire Bernard, Florian Nauche, Emmanuelle Maggesi
Ensemble Les Temps Modernes
Fabrice Pierre

Antignani: Étude sur La vie

Work length12:46

Cyril Dupuy (soloist), Claire Bernard, Florian Nauche, Estelle Gourinchas, Jean-Louis Bergerard, Michel Lavignolle
Ensemble Les Temps Modernes
Fabrice Pierre

Antignani: Azulejos

Work length9:26

Aurélie Bouchard (soloist)

Antignani: Nix et nox

Work length9:30

Claire Bernard, Florian Nauche, Jean-Louis Bergerard, Michel Lavignolle
Ensemble Les Temps Modernes
Fabrice Pierre

I. La nube de la nieve, une tempête de neige, noire, silencieuse et lourde

Track length4:37

II. Portentosum mare, la puissance devastante de la mer et le corps à corps avec l'écueuil

Track length1:49

III. Asi sea, ainsi soit-il, la ressource suprême sous forme de prière désespérée

Track length3:04

Antignani: Due interludi

Work length12:29

Cyril Dupuy (soloist)

No. 1, —

Track length4:20

No. 2, —

Track length8:09

Antignani: Les murs de Jean

Work length11:59

Aurélie Bouchard (soloist), Claire Bernard, Florian Nauche, Estelle Gourinchas, Jean-Louis Bergerard, Michel Lavignolle, Emmanuelle Maggesi
Ensemble Les Temps Modernes
Fabrice Pierre

I. Assez lent

Track length2:21

II. Très vif

Track length2:06

III. Très lent

Track length2:58

IV. Très vif

Track length2:12

V. Assez lent

Track length2:22

Antignani: Canto d'infanzia

Work length4:50

Cyril Dupuy (soloist), Aurélie Bouchard (soloist), Estelle Gourinchas, Jean-Louis Bergerard
Ensemble Les Temps Modernes
Fabrice Pierre

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In the history of art, not only in the field of music, there are very particular, almost inexplicable, cases of artists whose origins are mysterious and express themselves with absolute originality. They do not belong to any current and will later be recognized as "prophets from afar". In painting, El Greco is certainly an emblematic example. Where does this painting come from, which uses color and light in a way that is so different from the style in vogue in the Renaissance and which will be found two centuries later ? In music, let us think of Gesualdo da Venosa: where does its extreme chromaticism come from beyond all convention?

And the Scarlatti Sonatas or the last works of Skrjabin ? Obviously, far from me the idea of comparing Luca Antignani to the artists cited before. But there is something in his music and his journey, something totally personal and difficult to classify, something that one can adore or hate but which does not leave indifferent, like all strong and original things, something that makes particularly interesting the comparative listening of his pieces, immediately identifiable and totally characteristic, whose evolution can be followed from one composition to another.

Luca Antignani: Azulejos

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