Palestrina Volume 1

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The whole effect is quasi-theatrical without being melodramatic. The Mass also has its virtues from the vigour of the Kyrie...to the delicate duetting of the Osanna. The recording retains the... — BBC Music Magazine, September 2011, 4 out of 5 stars More…

Release Date: 31st May 2011
Catalogue No: COR16091
Label: Coro
Series: Sixteen Palestrina
Length: 64 minutes

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Palestrina: Salve regina

Work length6:22

$1.00

$1.40

The Sixteen

Palestrina: Assumpta est Maria a 6 (Motet): Assumpta est Maria a 6 (Motet)

Work length6:23

$1.00

$1.40

The Sixteen

Palestrina: Missa Assumpta est Maria

Work length26:57

$6.50

$9.10

The Sixteen

Kyrie

Track length4:48

$1.00

$1.40

Gloria

Track length5:00

$1.00

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Credo

Track length7:05

$1.50

$2.10

Sanctus

Track length2:27

$1.00

$1.40

Benedictus

Track length2:21

$1.00

$1.40

Agnus Dei I & II

Track length5:16

$1.00

$1.40

Ave Regina caelorum: Ave Regina caelorum

Work length4:29

$1.00

$1.40

The Sixteen

Ave Regina caelorum

Track length4:29

$1.00

$1.40

Song of Songs: Nos. 9-11: Tota pulchra es, amica mea

Work length2:28

$1.00

$1.40

The Sixteen

Tota pulchra es, amica mea

Track length2:28

$1.00

$1.40

Song of Songs: Nos. 9-11: Vulnerasti cor meum, soror mea

Work length3:10

$1.00

$1.40

The Sixteen

Vulnerasti cor meum, soror mea

Track length3:10

$1.00

$1.40

Song of Songs: Nos. 9-11: Sicut liliu, inter spinas

Work length3:49

$1.00

$1.40

The Sixteen

Sicut liliu, inter spinas

Track length3:49

$1.00

$1.40

Diffusa est gratia: Diffusa est gratia

Work length3:35

$1.00

$1.40

The Sixteen

Assumpta est Maria a 5 (Offertory): Assumpta est Maria a 5 (Offertory)

Work length2:24

$1.00

$1.40

The Sixteen

Assumpta est Maria a 5 (Offertory)

Track length2:24

$1.00

$1.40

Ave Maria: Ave Maria

Work length4:27

$1.00

$1.40

The Sixteen

Ave Maria

Track length4:27

$1.00

$1.40

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About

2011 sees the first recording by The Sixteen devoted entirely to Palestrina.

The disc marks the start of a new project which will result in a series of new recordings exploring a selection of the composer’s vast output, and a Choral Pilgrimage tour.

Palestrina was born in 1525 not far from Rome, in the town whose name he bore and from which we take the cover images for this new series of discs. Possibly the greatest composer of liturgical music of all time, Palestrina was a towering figure in Renaissance polyphony. Choral singers world-wide will know his Missa Papae Marcelli (recorded by The Sixteen on COR16014) as, without doubt, it is the most renowned of Palestrina’s works and possibly the most famous mass of all time.

On this new disc The Sixteen has recorded some of the sumptuous music he wrote for the Assumption including his Missa Assumpta est Maria and Salve Regina. Without doubt, Palestrina was the great master of all Papal composers and his spiritual craft and harmonic vitality fulfilled the needs of the Vatican. His motets for the Assumption also entitled Assumpta est Maria, are glorious examples of such work and can be heard in all their splendour on this recording.

By his death in 1594, Palestrina had published a huge amount of music including over 100 Masses and over 350 motets.

Reviews

September 2011

The whole effect is quasi-theatrical without being melodramatic. The Mass also has its virtues from the vigour of the Kyrie...to the delicate duetting of the Osanna. The recording retains the spaciousness of the largish choir...the imaginative variety of these performances bodes well for future volumes in this series.

September 2011

The abstract beauty of the singers' approach to the Missa Assumpta Est Maria and the breathless beauty of Song of Songs shows The Sixteen's adaptability and resourcefulness. Another tick in their box - the naturalistic sound quality which avoids the contrived 'other-worldly' quality that plagues lesser early music recordings.

October 2011

This is Palestrina sung in the English manner but so well done that I suspect unprejudiced reviewers everywhere will give it a sympathetic hearing. The Sixteen are indeed on fine form...Christophers has a gift for taking his audience by the hand, and in that spirit it would be good to show off as many sides of Palestrina as possible.

September 2011

it is the Missa 'Assumptis est Maria' that most clearly exhibits both Palestrina's and The Sixteen's art, with superbly deployed polyphonic, homophonic and antiphonal textures made to surge and recede like vast waves of sound...an auspicious start to what one hopes will be a long-running series

5th June 2011

The parodic Missa Assumpta est Maria makes an excellent beginning, this performance showing Christophers’s avowed intent of making the most of the expressive lines. The other works in a beautifully shaped and sung recital include the mesmeric offertory piece Diffusa est gratia.

2nd June 2011

One of the aims of the series, Christophers says, is to achieve a "real ebb and flow" in music, which can "sound all too perfect and occasionally academic". There's certainly no hint of that here; the performances are wonderfully alive to both the verbal and the musical meaning, the sound of the 18 voices of the Sixteen consistently warm and transparent.

21st July 2011

The Sixteen and Harry Christophers launch the first volume of a long-term Palestrina project, using their instincts to convey not just the mellifluous perfection of Palestrina’s polyphonic vocal writing but also the music’s expressive import.

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