Pergolesi Year 2010 marks the birth 300 years ago of a first rank composer and singular voice. Claudio Abbado’s affinity for Pergolesi is a joy to the ear and balm to the soul. The introductory album of maestro’s Pergolesi Project, the famous Stabat Mater, was rapturously received by the press
Characteristic are these comments in The Times: “Abbado’s commitment to period style is never in doubt . . . He has exceptional soloists: Rachel Harnisch and Sara Mingardo in the Stabat, ravishing in the harmonic suspensions of their duets; a lovely toned Julia Kleiter in the Salve; and the exemplary Giuliano Carmignola in the rarely recorded Violin Concerto, a little masterpiece, all but forgotten by the mainstream.”
For this third album of three, Abbado works once more with an excellent cast of singers including Rosa Bove, Rachel Harnisch, Julia Kleiter and Lucio Gallo.
Confitebor tibi Domine
Confitebor tibi Domine - Confessio et magnificentia opus ejus
Confitebor tibi Domine - Fidelia omnia mandata ejus
Confitebor tibi Domine - Redemptionem misit populo suo
Confitebor tibi Domine - Sanctum et terribila nomen ejus
Confitebor tibi Domine - Gloria Patri
Confitebor tibi Domine - Sicut erat in principio
Chi non ode e chi non vede
Chi non ode e chi non vede - Di costei parlo a cui nature e amore
Chi non ode e chi non vede - Tu dovresti amor tiranno
Chi non ode e chi non vede - Ma dove io mi rivolgo?
Chi non ode e chi non vede - Miseri affetti miei
Chi non ode e chi non vede - Cadrò contento dal duolo oppresso
Salve Regina in A minor - 1. Salve Regina
Salve Regina in A minor - 2. Ad te clamamus
Salve Regina in A minor - 3. Eia ergo
Salve Regina in A minor - 4. O clemens, o pia
Dixit Dominus - 1. Dixit Dominus
Dixit Dominus - 2. Virgam virtutis
Dixit Dominus - 3. Dominare
Dixit Dominus - 4. Tecum principium
Dixit Dominus - 5. Juravit Dominus
Dixit Dominus - 6. Dominus a dextris tuis
Dixit Dominus - 7. Gloria Patri
2011 edition
“One of the highlights of the third collection is Harnisch's account of the aria of unrequited love, Chi non ode e chi non vede, with its changing tempi and expressive anguish”
Click on any of the works listed above for alternative recordings.