Orff: Carmina Burana

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Since its original release, Jochum's performance has consistently been a prime recommendation for this muchrecorded piece. Listening to it again in the superbly remastered sound, one can easily... — Gramophone Classical Music Guide, 2010 More…

Release Date: 14th Jul 1995
Catalogue No: 4474372
Label: Deutsche Grammophon
Series: Originals
Length: 55 minutes

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Orff: Carmina Burana

Work length55:51

$27.50

$37.50

$51.25

Walter Hagen-Groll (chorus master), Gerhard Stolze (tenor), Dietrich Fischer-Dieskau (baritone), Gundula Janowitz (soprano)
Chor der Deutschen Oper Berlin, Deutsche Oper Berlin
Eugen Jochum
Recorded: 1967-10-18
Recording Venue: UFA-Tonstudio, Berlin

1. O Fortuna

Track length2:35

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"Fortune plango vulnera"

Track length2:37

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"Veris leta facies"

Track length3:28

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"Omnia Sol temperat"

Track length2:03

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"Ecce gratum"

Track length2:39

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Dance

Track length1:42

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"Floret silva nobilis"

Track length3:02

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"Chramer, gip die varwe mir"

Track length2:59

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Reie - "Swaz hie gat umbe" - "Chume, chum geselle min"

Track length3:59

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"Were diu werlt alle min"

Track length0:52

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"Estuans interius"

Track length2:12

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"Olim lacus colueram"

Track length3:24

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"Ego sum abbas"

Track length1:31

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"In taberna quando sumus"

Track length3:05

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"Amor volat undique"

Track length3:01

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"Dies, nox et omnia"

Track length1:58

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"Stetit puella"

Track length1:49

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"Circa mea pectora"

Track length2:10

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"Si puer cum puellula"

Track length0:58

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"Veni, veni, venias"

Track length1:00

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"In trutina"

Track length1:53

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"Tempus est iocundum"

Track length2:09

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"Dulcissime"

Track length0:34

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"Ave formosissima"

Track length1:39

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"O Fortuna"

Track length2:32

$1.10

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$2.05

Reviews
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Reviews

2010

Since its original release, Jochum's performance has consistently been a prime recommendation for this muchrecorded piece. Listening to it again in the superbly remastered sound, one can easily hear why. He pays great attention to detail – particularly with regard to tempo and articulation – yet the performance as a whole has a tremendous cogent sweep and the choruses have terrific power. The more reflective sections aren't neglected, however, and movements such as 'Stetit Puella', with Janowitz sounding alluring and fey, have surely never been more sensitively handled. Stolze is ideal as the roasted swan and Fischer-Dieskau encompasses the very varied requirements of the baritone's music with ease.
This distinguished performance, authorised by the composer and here sounding better than ever, retains its place at the head of the queue.

Orff: Carmina Burana

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