DG: 4778091

Bryn Terfel - Bad Boys

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Bryn Terfel - Bad Boys

0028947780915

4778091

Bryn Terfel - Bad Boys


Beethoven:

Ha! Welch ein Augenblick! (from Fidelio)

Boito:

Son lo Spirito che nega [from Mefistofele]

Donizetti:

Udite, udite, o rustici (from L'elisir d'amore)

Gershwin:

It Ain't Necessarily So (from Porgy and Bess)

Gounod:

Le veau d'or est toujours debout (from Faust)

Mozart:

Don Giovanni, a cenar teco (from Don Giovanni)

Ponchielli:

Maledici? O monumento (from La Gioconda)

Puccini:

Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca)

Rossini:

La calumnia e un venticello (from Il barbiere di Siviglia)

Schönberg:

Stars (from Les Misérables)

Sondheim:

Epiphany (from Sweeney Todd)

Anne Sofie von Otter (Mrs Lovett)

Sullivan:

When the Night Wind Howls (from Ruddigore)

Verdi:

Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello)

Weber:

Schweig, schweig (from Der Freischütz)

Weill:

The Threepenny Opera: Moritat von Mackie Messer


Bryn Terfel (baritone), Balcarras Crafoord

Swedish Radio Choir & Swedish Radio Symphony Orchestra, Paul Daniel

Bryn Terfel, a gentle man in real life, recruits a gang of “bad boy” characters from opera and musicals to serenade us with tunes from the sinister side of the bass clef. Thoroughly convincing as villains you would not want to meet alone in the dark, Bryn Terfel wields a full, wide ranging bass-baritone ever in service to dramatic instincts rare in any era Bad Boys delivers an original concept sure to seduce the media, wow the classical crowd and exert powerful mass appeal. No singer morphs from Don Giovanni to Mack the Knife to Sweeney Todd with Terfel’s devilish ease – Bad Boys is a delightful box of mixed (dark) musical bonbons

“…Terfel is a consummate singing actor. …what other artist could find such different voices for singing Il Commendatore, Don Giovanni and Leporello in the closing scene of Mozart's opera.” BBC Music Magazine, Christmas 2009 ****

“Terfel, of course, brings the smell of the theatre into everything he does. His powerful vocal presence is born of physical presence and he harnesses words, in any language, like few others. Brecht's words for "The Ballad of Mack the Knife" casually slip off Terfel's cords like the threats of a slickly attired bouncer... Sweeney Todd's "Epiphany" (with a flash of Anne Sofie von Otter's cockney Mrs Lovett - not 'arf bad) is scary to behold...” Gramophone Magazine, November 2009

GGramophone Magazine

Editor's Choice - November 2009

Released or re-released in last 6 months

DG - 4778091

(CD)

$16.99

In stock - usually despatched within 1 working day.

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